The first dance of the night was Will and Courtney’s Samba
The movement was fluid, and that frilly dress on Courtney doesn’t hurt. The judges loved it, but the Samba is an older style dance, first becoming popular in the US in the 1920’s and 30’s. Will and Courtney danced it incredibly, but despite what was an amazingly well-synchronized performance, this dance style could be forgettable relative to a more modern dance style, especially having gone first. And indeed, Courtney and Will ended up in the bottom. This could have been why. Or it could have been that Mary overdid her criticism of the dance, praising it, but making sure everyone knew that Courtney was her favorite. We think Mary may have talked just a tad too much.
Twitch and Katee Contemporary
This dance is outrageous. The choreography is fantastic, but what stands out are the emotions. There was a door in the piece used as a prop, but it felt like there were actually two independent rooms. Both Twitch and Katee pulled off a memorable piece here but Katee kicking and pounding on the door brought out the emotion best. The anger was palpable. Twitch was so cool throughout. Smooth moves, leaps over Katee’s moving body were timed with precision, and his strength was clearly conveyed. This was, without question, our favorite dance of the night, and possibly ever on this show.
Mark and Comfort Hip Hop
The lady of Hip Hop and Mark took the beat and energy on this song and hit it. It was an all out effort. The story conveyed is two kids in detention and erupting into expressive dance to squelch the boredom. Mark was not left behind here and danced step for step with Comfort. The prize move, about half way through is a split by Comfort followed by a lift over Mark’s back in which Comfort pulls a back-flip to finish it off. That move made us remember the dance, and memory in a voting competition is everything. Comfort had a shot here. The judges loved it and we did as well.
Joshua and Chelsie Tango
The Tango is a difficult dance to pull off in front of a modern audience. Ballroom is tough to perform and wow the audience. It requires major personality, and a performer that can pull it off is an instant star. Benji was the master and won the second season. Chelsie’s first kick set’s the stage. It builds slowly at first as Chelsie emerges from a chair and her legs start to do the impossible. There is a reverse kick where Chelsie practically kicked herself in the back of the head. Then the fast leg movement starts only to slow again into a lift. Then the couple uses slow foot movement to draw us in, and each move is dead on perfect. Chelsie was the star in this one. But Joshua was excellent, and they weren’t done yet!!
Will and Courtney Slow Hip Hop
This is not the type of Hip Hop we expect. The theme is to have the chance to turn back time. Will plays the role of a deceased lover, and the theatrics in this piece were reminiscent of the movie “Ghost.” The song was “Like You’ll Never See Me Again” by Alicia Keys. The emotion conveyed is beautiful from the start as Courtney holds an hourglass, and as she turns it over, the spot light appears on Will. They break into more what looks like a synchronized contemporary dance. Your heart aches as Will reaches for Courtney but cannot touch her, and as Courtney falls to the floor to look at his photograph. At the end Courtney drops Will’s picture and our hearts cracked just a bit. Will is amazing. His elimination was a shocker, but it could be that the audience did not remember this slower dance when it came time to make the call.
Katee and Twitch Broadway
The word was to be spread here, as “Sweet Georgia Brown” was about to be sung. Katee holds up a sign saying “Looking for Mr. Right”. The song was from the original Broadway cast and performed by Bubbling Brown Sugar. Katee dances masterfully, and all her points, as usual, are perfect. Katee’s specialty is the movement and positioning of her feet and hands, always graceful and expressive. Never a flat-footed moment. When they break into the fast dance, it reminds of the Charleston. The chase scene is humorous and the finale lift is classic. The only criticism is that Katee seemed too bubbly in this piece. But hey, we loved it!! And if we saw this on Broadway, we would have been standing.
Mark and Comfort Fox Trot
Danced to Lady Luck, by The Brian Setzer Orchestra, this piece was criticized heavily by the judges. We think the judges already had Comfort going home, and Nigel’s quip at the end seemed rehearsed. That said, the dance was a top-notch performance, at least by Mark, and the judges missed it. Mark starts off with flare and works into some very timely steps with Comfort. As usual, his expression is priceless, like when Comfort grabs him with her feather sash. We loved both Mark’s and Comfort’s footwork in the middle of the dance. And the first lift was fantastic with a perfect point by Comfort. The rest was a bit slow and some of the hand movement looked too exaggerated, but the final steps and lift were great. Considering what they were dealt, Mark and Comfort finished like pros.
Joshua and Chelsie Disco
The last dance of the night brought Disco to the floor. Watch this dance and you get exhausted. There are so many spins, twirls and lifts. There was no single move here that was the key memorable moment, but only because there were so many incredible moves. Like when Joshua lays Chelsie down on the floor, grabs her arm and leg and starts to spin her five times, actually inverting her body as he does. Seems impossible. And the final lift and drop made us gasp. Chelsie looks destined for a concussion on her way to the floor and yet stops safely in Joshua’s arms still smiling, but upside down. This was number two of the night for us and we are not disco fans!!
Will Solo: Get Up Offa That Thing!!
Our only solo reviewed here is a classic done by Will that should have won him the night. But the time limit did not allow Will to exploit the performance all the way. It was over way too quickly. Even he seems to stumble a bit at the end, surprised by the cue to finish. But we were shocked to see him go down to the bottom two let alone get eliminated. Danced to James Browns classic “Get Up Offa That Thing”, this performance speaks for itself. But hostess Cat (“Here are your jidges”) Deeley spoke for it too, bowing down to the master at the very end. We loved this piece. We will miss you Will, but look forward to seeing you on tour.
We hope you loved the show and each performance, we did.