This is our first time writing about the dancers this season. We do feel that the top ten are indeed the top ten. There were some disappointments along the way, but overall, these ten are the most deserving. That said, we do have our favorites already.
We knew were were out of sync a bit with the judges on this show when Nigel called Krump “sedentary”. We sincerely recommend that Nigel get a dictionary and thesaurus or to just stop trying to use big words.
The dances were all excellent this week, but we have to disagree with the judges on some of their criticisms. Let’s start with the couple dances and leave the solos to the end.
Ryan and Noelle – This was a contemporary piece choreographed by Tabitha and Napoleon and music by Melanie Fiona- “Give it To Me Right”. Ryan, as always, was incredibly handsome and captivating with his personality. Noelle shocked us and gets the ranking of the most cosmetically changed dancer this week. In prior weeks we saw her as rather dull. This week she was hot. This dance brought out her sexiness along with a new do that really got our attention. The couple together are extremely sexy and danced this piece with spark. The theme was an office pursuit by the boss (Ryan) that ends up with a harassment suit. Well, if Noelle acted like this in person in the office, no one could blame Ryan. She smoked this. Ryan was the penultimate partner. But he wasn’t the central focus of this pairing. Both were in sync perfectly when they had to be, though, and Ryan clearly helped Noelle shine. The guitar playing of the dance was corny, but the rest was sheer sexuality and talent. Nigel called it last week saying Noelle wasn’t sexy enough. He changed his tune this week, as did we. She has the capability of playing the vixen. Dance was superb. (9/10)
Ashleigh and Legacy – We like these two as independent dancers. We aren’t sure about this pairing. So it is good they got a dance that did not play them as close partners, but as cooperative singles. The dance reminded us of the video game street fighters. The theme was to have the couple battling each other physically, and it brings to mind some of the somewhat corny karate scenes on TV on shows such as “Alias”. It was interesting choreography presented by Gary Stuart. Both Ashleigh and Legacy were in perfect sync, and played their combative roles perfectly. Contemporary is not Ashleigh’s style, but you would never know it from this dance. The ending was perfect with Ashleigh standing facing Legacy, but holding his legs as he stood rigidly on his head, something that we mere humans could never do.The dance was excellent, but there were more to come that were just as stellar, so going this early in the show could have this excellent piece go a bit into obscurity. (9/10)
Katherine and Nathan – We found this to be a superb Broadway piece choreographed by Danny Kaye. It had an old world feel from days of the great musicals like Oklahoma or West Side Story. This was more romantic though like a Fred Astaire movie. It started off great, and Nathan was moving well, keeping his happy character in tune with the dance. Katherine was the stronger performer. She looked flawless and beautiful at the same time. A true leading lady. Nathan, while dancing quite well, does not go with Katherine. It looks like a sixteen year old courting a 24 year old in a dance where the man should be leading. He can dance it, but he can’t play the part convincingly, which is key to Broadway. This was a fun piece, fun to watch, but Nathan lacked charisma. (8/10)
Ellenore and Jakob – Ellenore has a major quirkiness about her and we love the personality she brings to the dance floor. She reminds of Cheryl Burke from Dancing with the Stars. At first Jakob didn’t look the part, but man, can this guy move. Usually we don’t comment on the speed of a man’s legs in dance, but Jakob’s move at the speed of light. Ellenore has a way of looking nearly perfect on the floor. Great smile, fantastic hair and posture. She kept right up with Jakob on this dance and they partnered wonderfully. The chemistry we thought couldn’t be there- was there in spades, to which we give kudos to Ellenore. The couple was smiling ear to ear throughout and had us smiling as well by the time this dance was done. (9/10)
Mollee and Russell – This was a lyrical jazz piece that was choreographed by Mandy Moore. It is a beautiful piece, but blurs the lines between contemporary and jazz. It started off with a touching embrace, with incredible feeling, We have to give Russell an A for effort on this piece. He does an overhead lift and shows diversity way beyond his untrained Krump background. Still, we watched this twice to see if we were wrong after the judges praised him and, well, he was awkward. While he didn’t drop the ball and fought his way through, he didn’t leave us feeling we had watched a professional. Mollee looked mature well beyond her age. Perfect performance by Mollee. (8/10)
Noelle and Ryan – This was a graceful waltz, and Ryan was, as usual, at his best at ballroom style. They provided the Cinderella experience for us all, and lifted us gracefully into a clouded world of fantasy in which we fell asleep. It is very difficult to get into a waltz after some of the powerful artwork and personal expression that comes out of a contemporary dance. Probably why the contemporary dancers tend to take the lead season after season, and why ballroom dances eventually fall short. Still this was a nearly perfect waltz. (8/10)
Kathryn and Nathan – A rumba choreographed by Tony and Melanie did not leave us standing nor did it give us any goose bumps. Nathan was frowning and portraying an angry character throughout trying to be intimidating and just came across as silly. At the end when being judged he kept on this angry foolish face. We think he danced well, but character is as important as posture in this competition and he did not portray the leading man well. Not believable at all. Kathryn on the other hand was stunning and flawless. Loved her. Once again, we hope she is not associated with Nathan’s less than stellar performance. (7/10)
Ashleigh and Legacy – Time to bring out an old theme. The vampire. Legacy came out with his cape dressed like the Count, but, unlike Dracula, was unable to turn them into a pair of wings in this piece. His cape certainly contributed to the problem taking away his ability to perform his more exciting moves in this dance, but his lack of training showed as well. Ashleigh was flawless and for her sake, we hope the audience didn’t notice Legacy or associate him with her performance. (7/10)
Ellenore and Jacob – This was an extremely quirky contemporary piece which fit Ellenore to a T choreographed by Sonya. It also allowed Jacob to show how well he can act. When he stands still before the judges he looks effeminate and humble. But when he had to play a dark character, he shows he has acting down. Unlike Legacy and Nathan, he is believable in his portrayal of a character. He has chemistry with anyone, but the chemistry in this piece was stunning. You would have thought they had danced it a million times. They played off of Ellenore’s move and pause technique and had many moments with Ellenore still portraying her character. Her facial expression and personality shine through. She has become our most memorable girl. And Jacob stole the show from all the other men. He looked fearful and dark, in direct contrast to his true character. This was the best of season so far and possibly the best of all time on this show. If you missed it, and watch it now!! (10/10)
Mollie and Russell – Man, who would want to follow up Eleanor and Jakob’s piece. What can one do but be perfect? This was a standard rock dance and required a ton of energy to pull off. And these two dancers are all energy. This brought Russell back onto our best liked list after his last dance, which the judges liked, but we were less impressed with. Russell’s lifts, throws and enthusiasm ruled this dance. He was both fun and exciting to watch. They nailed this performance, and if not for Ellenore and Jakob, would have been the best of the night. (9.8/10)
Mollee – Mollee always does her solo’s well. She looks so young it is disconcerting and hard, at times, to take seriously. But when she dances, watch out. She is a firestorm. She did a sexy solo, shaking about curly locks obscuring her face and her youth. Wearing jeans that looked to be sure were painted on, she still pulled off flex moves that would challenge a rubber band. She is the most athletic of the girl’s this season and clearly has the most energy. It showed and she had a great solo. (9/10)
Noelle – We found Noelle incredibly sexy in her first couples dance, but in her solo she was back a bit to her cutesy look. She needs to pick sexier outfits for her solo or it is hard to be drawn to her. She can dance superbly, but it felt like this solo wasn’t quite up to Mollee’s. Still, this lady can stand on her toes wile pirouetting and that shows signs of hard training and a background in ballet. (8/10)
Ryan – Now, ballroom dancers always have a weakness in solo’s. They cannot typically dance with the strength and diversity of a trained contemporary or jazz dancer. It appears impossible for a ball room dancer to win this competition. Ryan, though, has this major charisma that carries him beyond the dance. In this dance he came across as a superhero. And we expect he could be in the next Superman musical. Unfortunately, his moves are more theatrical than challenging. (8/10)
Kathryn – Kathryn is all grace. She can move with strength, but you are captivated more by her ability to mesmerize you with smooth elegance. However, in this solo, she did not thrill us. It didn’t have that edge required for competition. (7/10)
Russell – Of course, Russell does Krump. Nigel said it was sedentary. WE hope he was joking. This was powerful. We have not really understood krump until now, and we can tell you, Russell defines it. (10/10)
Nathan – No doubt Nathan is one of the most talented dancers on this show, but he has a personality that does not appeal. He overdoes things, crying at the end of the dance and making frowning angry faces throughout his solo. It turned us off. (7/10)
Ellenore– If quirkiness could win this competition, Eleanor has that in spades. Her movements are so unexpected at times and her jerky movements are her trademark. A quick move and a pause. Then another. Then another. All providing the viewer a chance to view her position. However, Eleanor is not as talented a dancer as Noelle or Kathryn when it comes to solos. (7/10)
Legacy – We have seen some great break dancers on this show. Legacy is better than any of them. Some of his moves just don’t seem humanly possible. His solos are incredible to watch and in this lies his strength. No one is more fun to watch or more amazing. At the end you are just shaking your head and wondering how he does it. (10/10)
Ashleigh – What is most amazing about Ashleigh is the character she becomes when dancing. When you look at her standing still, she isn’t much to look at. But when she dances, she takes on a different aura. Her legs are fast, surely, but not as fast as some dancers from prior years. But her ability to draw us in during her dancing and her sexiness is unquestionable She comes across as in control and fearless. This is where she is meant to be. (9/10)
Jakob – If we were to have to set the odds in Las Vegas for the most probable to win this competition, Jakob is it. He isn’t assuming and is so incredibly talented. While he has a bit of an effeminate personality, it isn’t overplayed and he is lovable and graceful in personality. But when he dances, well, there is no one this season that holds a candle to him. (10/10)
That leaves it time to put our dancers in place.
This is how we think it will play out. Nathan gets to the bottom not for his talent or dancing as much as his personality. Legacy showed major cracks in his ability to do other than break dancing. We cannot see him winning the competition, and he could go as well, but we figure he has a much bigger following because of his superhuman tricks during the solos. Kathryn was great, but was impacted in our judgement by Nathan and drawn down the list. Ryan is great and fun to watch, but so far behind Jakob and not growing as impressively as Russell. We don’t believe we need to explain the rest other than to say if Jakob doesn’t get hit by a truck, he already won the season.
There you go.
The Music for this episode:
Nappytabs hip hop (Noelle & Ryan): “Give It To Me Right” Music By: Melanie Fiona
Gary Stuart contemporary (Ashleigh & Legacy): “Poison” Music By: The Prodigy
Mollee’s solo: “Rock the Beat” Music By: LM*AO
Russell’s solo: “Outros” Music By: Black Milk
Spencer Liff Broadway (Kathryn & Nathan): “Choreography” Music By: Danny Kaye
Noelle’s solo: “Everytime It Rains” Music By: Charlotte Martin
Tony & Melanie quickstep (Elleanore & Jakob): “Four Brothers” Music By: Manhattan Transfer
Ryan’s solo: “Rock You Like a Hurricane” Music By: Scorpion
Kathryn’s solo: “Beautiful” Music By: Bethany Dillon
Mandy Moore: lyrical jazz (Mollee & Russell): “It Must Have Been Love” Music By: Roxette
Nathan’s solo: “Golden Train” Music By: Justin Nozuka
JT and Tomas smooth waltz (Noelle & Ryan): “Jeaux d’eau” Music By: Cirque du Soleil O Soundtrack
Elleanore’s solo: “Beatbox Harmonica” Music By: Yuri Lane
Dave Scott hip hop (Ashleigh & Legacy): “Slow Down” Music By: Bobby Valentino
Tony & Melanie rumba (Kathryn & Nathan): “Walk On By” Music By: Aretha Franklin
Legacy’s solo: “No Air” Music By: Jordin Sparks and Chris Brown
Sonya Tayeh contemporary (Elleanore & Jakob): “Tore My Heart” Music By: OONA & Dave Tweedie
Ashleigh’s solo: “Batucada Por Favor” Music By: Bob Azzam
Anya & Pasha jive (Mollee & Russell): “Land of 1,000 Dances” Music By: Jimmy Barnes
Jakob’s solo: “Always Midnight” acoustic Music By: Pat Monahan
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