His Jennifer Lawrence is pretty good to be honest.
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James Brown’s dance moves don’t mean what you think they mean.
1. Prince reportedly sent Weird Al Yankovic a telegram back in 1986, commanding the comedian to avoid eye contact with him during the entirety of the American Music Awards show.
2. Though little was known about eating disorders in his heyday, Louis Armstrong showed signs of bulimia. He binged and purged with the help of laxatives; he was often pictured with his laxative of choice, Swiss Kriss, and recommended it to his friends with the catchphrase “Satch says: Leave it all behind ya!”
3. As a teen, Gil Scott-Heron wrote a number of short detective stories in the vein of Agatha Christie.
4. Snoop Dogg reportedly sold weed to Cameron Diaz back when the two attended Long Beach Polytechnic High School.
5. Lil Wayne‘s debut album The Block Is Hot, released when the rapper was only 17 years old, is nearly profanity-free because of his mother’s wishes.
6. Nas almost had Jesus in a headlock on the cover for his 1994 album Illmatic.
7. B.B. King named every guitar he owned Lucille after an incident at one of his performances. Two men had a physical altercation over a woman named Lucille; during the scuffle, they knocked over a barrel of kerosene that heated the venue and subsequently set the venue on fire. All persons inside were evacuated, but King ran back into the burning building to rescue his $30 Gibson guitar. The guitar thus became known as Lucille, as a reminder to King never to run into burning buildings or fight over women.
8. At the height of McCarthyism in the ’50s, Lena Horne was blacklisted as a Communist over her participation in the Civil Rights Movement and her friendships with fellow activists Paul Robeson and W.E.B. DuBois.
9. Getting fired from Office Depot inspired Janelle Monae to write “Letting Go,” the song that would reach the ears of OutKast‘s Big Boi and launch her career.
10. When a drunken emcee announced The Sledge Sisters as “Sister Sledge” on stage, the quartet rolled with it and went on to use the error professionally.
11. James Brown‘s famous dance moves were coded directions for his stage band; every hand movement meant Brown had noticed a bum note or had seen a pair of unshined shoes.
12. Jimi Hendrix often switched up the frequently misheard lyrics to “Purple Haze” in his live performances; he swapped out “kiss the sky” for “fuck the sky” during a Seattle rainstorm, and for “kiss this guy” during another performance as he pointed to drummer Mitch Mitchell.
13. Using a modified board with elevated squares, Ray Charles frequently played chess with friends and band members. In 2002, Charles faced off against (and lost to) chess grandmaster Larry Evans.
14. Chuck Berry supplemented his musician’s income by working as a trained beautician.
15. Billie Holiday was inspired to write “God Bless the Child” after she and her mother had an argument over money.
16. Marvin Gaye once shaved his head in protest of boxer Rubin “Hurricane” Carter’s wrongful murder conviction.
17. In The Last Days of Left Eye, Lisa “Left Eye” Lopes of TLC voiced her objection to the glorification of revenge-cheating in the group’s hit single “Creep.” Left Eye threatened to wear pieces of black tape over her mouth during the filming of the music video, but she let her resentment creep away.
18. Stevie Wonder led the campaign to have Dr. Martin Luther King Jr.’s birthday designated as a national holiday.
19. Mary J. Blige‘s debut album title What’s the 411? was a shout-out to her former job as a directory assistance operator.
20. Despite his lyrics to “In Da Club” and “P.I.M.P.,” 50 Cent abstains from alcohol and drugs, citing a “bad experience” with alcohol and an outsider’s view of what drugs can do to a person.
22. Gloria Gaynor won the first and only Grammy for Best Disco Recording with “I Will Survive”; the recording academy discontinued the category after disco fell out of public favor.
23. UPenn graduate John Legend turned down admission offers from Harvard and Georgetown at the tender age of 16.
25. In spite of his fame and wealth, Ludacris drove his â€˜93 Acura Legend for over a decade, racking up over 244,000 miles on the vehicle.
26. Biggie Smalls learned that another rapper had trademarked the name “Biggy Smalls” years earlier, so he changed his moniker to The Notorious B.I.G.
27. When presented with the instrumentals for eventual hits “Are You That Somebody?” and “Try Again,” Aaliyah initially didn’t like them, but recorded the songs.
28. Ol’ Dirty Bastard once saved a 4-year-old girl who was trapped under a car that hit her; Dirty and his friends lifted the car off the girl, who was then rushed to the hospital for her injuries.
29. Smokey Robinson got his stage name from his childhood nickname Smokey Joe, a “cowboy” nickname bestowed upon him by his uncle.
30. Miles Davis performed with his back to the audience; it made it easier for him to give his band signals.
31. Public Enemy’s Flavor Flav can play 15 instruments, from French horn to oboe to xylophone.
33. Willie Mae “Big Mama” Thornton recorded “Hound Dog” and “Ball â€˜n Chain” long before Elvis or Janis Joplin did.
35. Missy Elliott accidentally filmed “Work It” while drunk; director Dave Meyers forgot to replace the wine glass in the restaurant scene with water. After the shot had been filmed seven times, Missy was thoroughly inebriated.
36. As a student at the Baltimore School of Arts, Tupac Shakur took ballet classes.
37. Jazz legends Ella Fitzgerald, Dizzy Gillespie, and Illinois Jacquet were all arrested for gambling in a racially motivated sting set up by the vice squad of Houston’s police department.
38. Salt-N-Pepa‘s “Push It” began as a joke. Producer Hurby Azor came up with the synth line: Salt-N-Pepa’s Cheryl James and Sandra Denton found it “corny” and added the now iconic “Ooh, baby, baby” to mock it.
40. Janet Jackson initially balked at the idea of collaborating with brother Michael, citing a desire for her own fame separate from the Jackson name, but eventually caved in. Thankfully she changed her mind; the siblings went on to give us “Scream.”
41. Dizzy Gillespie‘s signature cheek pouches, caused by his blowing techniques, are now considered a medical condition.
42. BeyoncÃ©, who is now recognized as a style icon for her red carpet looks, was a staunch tomboy who refused to wear dresses as a child.
43. As a high school sophomore, Lauryn Hill appeared on daytime soap As the World Turns as Kira, a troubled teen.
44. Erykah Badu was fined $500 and charged with a misdemeanor for public nudity during the filming of her music video for “Window Seat.” Badu intended her nudity to be a statement of liberation against groupthink.
46. Mariah Carey‘s high school nickname was “Mirage,” thanks to her many absences.
47. Nat King Cole was the first black American to have his own television show. The Nat King Cole Show ran without national sponsors on a network-supported basis, and was eventually done in by a lack of financial support.
48. Contrary to popular belief, Jay Z‘s stage name does not come from the J and Z lines that run by his childhood home in Brooklyn’s Marcy Projects. Jay Z had been known as Jazzy, but he adopted his current moniker after Jazzy became too “glittery.”
49. The phone number in Alicia Keys’ “Diary” was her old phone number, which led to a number of headaches for Georgia resident J.D. Turner, who had Keys’ old number (albeit a different area code.)
50. Whitney Houston nearly became a member of the Huxtable clan. She auditioned for the role of Sondra Huxtable, the eldest daughter on The Cosby Show, but lost the role to Sabrina LeBeauf.
His Jennifer Lawrence is pretty good to be honest.
1. Meet Filipino TV host Paolo Ballesteros. He’s a media personality in the Philippines and he’s really, really, really into the Instagram makeup transformation game.
2. His favorite subject? Famous American female celebrities, including Ariana Grande:
3. Tyra Banks:
4. Jennifer Lawrence:
6. Taylor Swift:
7. Two kinds of Taylor swift, actually:
8. “Wrecking Ball”-era Miley Cyrus:
9. Megan Fox:
10. Katy Perry:
11. Pretty much anyone you can think of…
12. …He’s tried to pull off with his serious makeup skill.
Randi Evans and Evan Kasprzak danced Hip-hop to the song “Halo” Beyoncé – Choreography by Tabitha D’umo and Napoleon D’umo
Randi Evans and Evan Kasprzak danced Samba to the song “Ritmo De Bum Bom”—Jababa Choreography by Anya Garnis and Pasha Kovalev
This week we have to work top down. Most weeks we are thinking we have to nail the bottom three. So we go bottom up and try to pick who we liked least. This week, we loved every performance. These dancers are true stars and a step above everyone else in dance. The choreographers do deserve much of the credit, and we believe that choreography may have more to do with the elimination of this week’s pair of dancers than the dancing itself. But maybe a fan base could save one or two from elimination. We think Philip and Evan have a strong following that will bail them out on the telephone in many cases, but will it help them this week?
As a note aside, this is the last week these couples will perform with each other. They have to face the music with a different partner next week. This could result in some very interesting mismatches. For example, we could never imagine Kayla or Melissa with Phillip.
When you get down to it this week, there isn’t a dance we disliked. There were no major flaws. So, it comes down to how each dance made us feel and expect that we are in tune with the audience. We aren’t always, but we think we can tell you what happened and who was the most likely to get votes this week.
Normally we go through the dances in chronological order, but this week we are going to list our dancers top down, top to bottom, best to worst, and ecstacy to pain. Let’s see how this goes… (Watch solo introduction and dance recap at the bottom of this post)
Janette Manrara and Brandon Bryant Argentine Tango to the song “Libertango” from Forever Tango choreographed by Miriam Larici and Leonardo Barrionuevo
Janette Manrara and Brandon Bryant Jazz to the song “Ruby Blue” —Róisín Murphy choreographed by Wade Robson (Complete performance videos here with judges comments)
In every show, this couple has nailed every single dance. No slips, no flaws, just pure and perfect entertainment. Tonight exemplified their run with two of the best performances by any couple this season. One will definitely be on the tour. The first was a tango. Every move was executed with phenomenal precision. Jeannette is the dark horse here. We keep forgetting about her until she dances and suddenly we believe she could take it all. Every week she has been our number one or number two pick of the women. Brandon is brought out personality-wise by her. Her slightly cocky (in a good way) personality is exactly what Brandon needed to bring out his excellence as a dancer because it got him to lighten up. (Dance 1: 10/10)
The second dance will be on the tour. It was a jazz dance that has some of the sleekiest choreography we have seen. If executed correctly, it should have you laughing and still amazed at how well it is performed. This one had us laughing at the cocky character acting, but almost in tears over how amazingly delivered this dance was. You have to watch it, because if you don’t, we cannot explain it. If this were a final contest among couples, Jeannette and Brandon are well above the rest of the pack.(Dance 2: 10/10)
Melissa Sandvig and Ade Obayomi Disco to the song “Move On Up” —Destination choreographed by Doriana Sanchez
Melissa Sandvig and Ade Obayomi Waltz to the song “(You Make Me Feel Like) A Natural Woman” —Mary J. Blige choreographed by Ron Montez (VIDEO PERFORMANCES HERE with judges comments)
The first dance was disco, the second dance a waltz. Melissa did one split upside down that would have likely killed a normal human being. Ade was strong throughout. When he needed to lift Melissa it was effortless. When he needed to deliver that perfect dance move or spin, it was there. Melissa was the top performer in this couple, but both kicked it up a notch even in that difficult first slot. Dance 1 was fast and furious. It was not as good as last week’s disco by Jeanette and Brandon, but it was so very well performed nonetheless. (Dance 1: 9/10) Next was a waltz that brought both of these dancer’s beauty into perspective. (Dance 2: 10/10)
Kayla Radomski and Kupono Aweau Contemporary to the song “Gravity” —Sara Bareilles choreographed by Mia Michaels
Kayla Radomski and Kupono Aweau Broadway to the song “The Dance At the Gym” from West Side Story choreographed by Joey Dowling
In their first dance, they drew contemporary and it was superbly performed. The synchronized moves were spectacular. The touch of craziness in the dance had us mesmerized. (Dance 1: 9/10) Kayla, though, outshines Kupono. The second dance was a jazz performance and we just couldn’t help but giggle at some of it. It had a truly off beat appeal. We loved both dances. Kayla was spectacular. Kupono quite good. This was difficult to score because we loved the dance, but felt Kupono did not perform up to par. (Dance 2: 8./10)
Randi Evans and Evan Kasprzak Hip-hop to the song “Halo” —Beyoncé Knowles choreographed by Tabitha D’umo and Napoleon D’umo
Randi Evans and Evan Kasprzak Samba to the song “Ritmo De Bum Bom”—Jababa choreographyed by Anya Garnis and Pasha Kovalev
In the first dance, hip hop was their task, and Randi was able to hit the beat and lead us into the dance much better than Evan. We like Evan’s personality and style, but he hasn’t been as much of a dancing standout of late, and this was not his best performance. It looked like he was dancing a different style. On time, on the beat and off the mark. (Dance 1: 8/10) Randi is just so cute that as long as she shows up and doesn’t fall, she looks great on stage. Her perkiness and energy bring that cute nature home even more
The second dance truly demonstrated the dichotomy this couple presents to us. Once again Randi was stunning, made every move flawlessly and led the dance with pure dazzle. Once again, Evan was a disappointment, disappearing behind Randi’s aura and just not showing the style and personality of a winner. Evan has the personality, we have seen it, but he hasn’t been bringing it to the show the last couple of weeks. Unlike loveable dancers from years past, such as Benjie in season 2, he can’t bring his personality consistently to the floor. He looks like he is straining and just not having the fun he should be. (Dance 2: 8/10)
Jeanine Mason and Phillip Chbeeb Russian folk dance to the song “Kalinka” —Barynya choreographed by Youri Nelzine and Lilia Babenko
Jeanine Mason and Phillip Chbeeb Jive to the song “Stuff Like That There” —Bette Midler choreographed by Tony Meredith and Melanie LaPatin
If Jeanine can dance as well as she has while partnering with a dancer as weak as Phillip, she deserves to win this year. And she has. Every single dance she has delivered pure perfection, and tonight was no exception. The start was a Russian dance that brought back memories of last year when Twitch and Joshua danced up an energetic storm of Russian movement. Jeanine was believable and on mark throughout. Phillip was not, but put in a commendable effort despite a stumble and being incredibly outmatched. Honestly, though, Phillip is way out of his league and is just plain no Joshua or Twitch (Dance 1: 7/10).
The second dance was swing, and once again, Jeanine shook the hips and took the dance away. Jeanine is championship quality, Phillip is not. But we think that quite possibly the judges promoted Phillip in these routines because they want Phillip’s entertainment factor on the tour. And only the top 10 are guaranteed to tour. Jeanine was so good in the second dance and Phillip put in an underdog performance worth noting, so this dance can’t be downgraded that much. (Dance 2: 9/10)
Caitlin Kinney and Jason Glover Foxtrot to the song “Minnie the Moocher” —Big Bad Voodoo Daddy choreographed by Tony Meredith and Melanie LaPatin
Caitlin Kinney and Jason Glover Lyrical jazz to the song “Show Me Heaven” —Maria McKee choreographed by Mandy Moore
The first dance was a 40s type slow swing. The dancers executed the dance with aplomb. Our issue was not the performance, it was the choreography. The dance, while amazingly performed, was dull, and votes come from how well the audience remembers the dance. Caitlin is better than this dance showed her to be. Jason as well. (Dance 1: 8/10)
The second dance was Lyrical Jazz and was their exact style. And once again, despite some beautiful movement, it was dull. We cannot place our finger on it, but this was the couple we would be least likely to vote for this week. They did the one thing that cannot be done. They bored us. (Dance 2: 8/10)
Top 12 Solo introduction and Dance Recap
Now it becomes a bit more clear…We have two obviously safe couples…what about the rest?
Brandon and Jeanine are not going anywhere. They are spectacular and the best couple in this competition by a decent margin.
Melissa and Ade have strong movement and finesse that is magnified by the incredible strength of both dancers. Melissa is a bit butch at times, but never is anyting but perfect grace. Ade is strong and always at home. So, they are SAFE!
But then we get into the gray area. All these couples, with the exception of Caitlin and Jason, are tied. And Caitlin and Jason are not far behind. What do we do? Well, we won’t cop out, we will make our guess for the bottom three, but it may not be how the audience votes.
Let’s start by saying that Jeanine and Kayla are outstanding and carry their dances repeatedly. They are both easily top ten talents, but their partners? Well….not so much. Phillip is weaker than any man here, but has a major underdog factor combined with a lovable goofiness. And you have to give him a major A for effort in that second dance. So, how do we think it will go down. In this order.
Kayla & Kupono – They were marginally the best of the four.
Jeanine & Phillip – Jeanine gets 10/10 on both dances. Phillip gets an A for effort and just being on the floor with her and not looking downright stupid. They are lovable. But at the end of the day, someone has to dance for his and/or her life.
Randi and Evan – Randi, like Jeanine, gets top scores for her dances, but Evan had an almost sleepy quality to him as he danced. No pizzazz, no personality and just not a winner. And we really like Evan and are so disappointed. Perhaps he just isn’t cut out for the limelight? We just think he has to look like he is having more fun, but this is hard, and we think he is displaying a bit of stage fright.
Caitlin and Jason – Dead last for boredom. Neither stood out, both were equally dull, but much of it was the choreography which is just the luck of the draw. Jason is better than this and we think Caitlin is as well. But, at the end of the day, no matter what the champion draws, the champion only wins if he or she brings it, so we crave their next performance. These performances made us just plain not care if this couple was not here next week, and we think that the audience won’t care either.
We think that if it plays out the way we think, Phillip has to go home unless the other two dancers blow their solos. Phillip will perform a predictable hip hop solo that will be no surprise and that demonstrates that, in the end, he has little versatility relative to the other dancers. But, Evan could fall flat as well. This is mainly because he has been a disappointment, not only to us, but repeatedly to the judges. He has to nail his solo and remind us of what he can do, or he will be on the bus out of here.
Of the women, this is very difficult. We love them all. If we had to choose, we would prefer to see Randi and Jeanette move through. Melissa we think is spectacular, but we don’t see the personality in her that makes us want to vote for her. Caitlin is spectacular, but she has to nail the solo against some pretty stiff talent and we think she is last this week in our eyes as well as the judges. We think Caitlin will be shipped out.