Jonathan Platero performs his last solo to “The Hunted” by Kodo. Includes a short tribute to his journey on SYTYCD. Find more Jonathan Platero pics and videos here.
Jonathan Platero performs his last solo to “The Hunted” by Kodo. Includes a short tribute to his journey on SYTYCD. Find more Jonathan Platero pics and videos here.
After being sent home on “So You Think You Can Dance,” contestants Jonathan Platero and Asuka Kondoh talked with journalists about their experiences on the show and as dancers:
On his dance inspirations:
Michael Jackson was an inspiration to me: I grew up watching his videos and trying to learn his movies. Janet Jackson too: I was a fan of ’80s dance. I’ve always loved music videos, and I’d love to be a dancer for her.
How it felt for Nigel Lythgoe to bet he’d be in the bottom three after his Wednesday night hip-hop dance:
It hurt a little bit. I didn’t think he’d be as tough as he was, but each judge is entitled to his own opinion. It was a tough style for me, so I couldn’t blame him.
On any dance opportunities he wished he’d been able to experience on the show:
I was really looking forward to working with Sonya [Tayeh] for jazz — that would have been awesome.
On her choice of footwear during her solos:
I’m most comfortable dancing in heels because I’m a ballroom dancer, and that shows off best what I do. If my solo looked strange it’s because I didn’t have a partner — I was imagining I was holding my partner’s hand.
On whether she was worried her number would be up when fellow ballroom dancer Max Kapitannikov was eliminated last week:
I knew that I had to try even harder because I’m a ballroom dancer — I think it’s a little bit harder for us to show our ability because it is a partner dance, but I didn’t think just because he went home I would be.
On her “SYTYCD” partner, Vitolio Jeune:
We had our ups and downs but learned to have some chemistry and connect with each other. I hope that I can have the same kind of relationship I had with Vitiolio with every partner I get because it was wonderful.
The most difficult genre to learn:
Jazz, because it was so against what I normally want to do as a Latin dancer: level changes, trying to dance in jazz shoes, being on bent knees, being lifted.
On whether her audition partner, Ricky Sun, will be trying out for Season 6 of the show:
I have no idea — you’ll have to find out and watch!
Well, once again, we were not totally surprised, but maybe a little, at how poorly America can choose a dance performance. While two of our bottom three couples made the bottom three, one did not, and the one that did, just plain did not belong there. Thank heavens, the couple that did not belong there humiliated their competition in the solos.
Before we get into who was here that did not belong, let’s go to the couple that did belong and escaped. Phillip and Jeanine. It is possible that Jeanine was so good she saved Phillip, or there is some goofy god that saved Phillip, but honestly, he has no true dance talent. He is a one trick pony. It shows week after week, but he has some followers that do vote for him. We are not sure who they are, but they know little about dance, and the result this week was a dancer with vastly more talent and an actual chance at winning was sent home tonight. Get it right America. Phillip is not a dancer, he is a circus act.
Caitlin and Jason did not belong at all in the bottom three. They were one of the best couples of the night. And while they easily escaped elimination with their excellent solos, it shows how foolish things can get. We have no idea how anyone could have not seen how fantastic their performance was last night, and yet, somehow, Philip was better? Please. Pathetic.
So it came down to two women for the bottom two, both of whom we thought would be there. Asuka and Karla. But we thought Karla had more diversity and performed much better last night. Asuka has the sleek lines and the ballroom finesse, but you have to do it all in SYTYCD and when it comes to a solo, the ballroom dancers, if not absolutely sensational, usually do not get through. But tonight, Karla was weak on her solo. Nothing stood out. It seemed she played it so safe as to be in danger. The judges were unanimous as they told Karla… she was safe. Asuka went home, but Karla did not help herself with that solo.
And now the saddest part of the night. There is no question that of the two men left, one did an off tempo out of sync solo and one did an excellent on key solo that was on par with his performance last night. One man was great, and one man was not, but according to our picks last night, both men should have been in the bottom three. The one of the two that was not able to dance to the music. The one off his step. And the one with, by far the weakest solo, was kept. And so Jonathan goes home and Vitolio survives in a pathetic play by the judges to favor minorities over true talent. A sad statement.
We bid Jonathan goodbye and wish him the best. He just has to get that goofy kids smile off his face, because his dance is wonderful and he makes Vitolio look second rate.
So goodbye to Jonathan and Asuka. One deserved to go, one did not, but both were in our bottom three from last night.
Now if someone could just get a clue and kick Philip out of here..
There are times we feel the judges are not on their game. Most of the time, the judges on SYTYCD are quite good, but tonight, we are not so sure. They were inconsistent, and Mary seemed like the only person really paying attention. Nigel Lithgoe was way off, criticizing dances that were performed wonderfully. Mary would correct him, but he continued to miss the mark.
The first performance, though, all the judges seemed to miss.
1. Karla Garcia and Jonathan Platero Hip-hop, “By My Side” —Jadakiss featuring Ne-Yo choreographed by Dave Scott
OK, this was not the best hip hop we have seen on the show, but it was very well done. Our biggest criticism of it was Jonathan’s face. They were supposed to be gangstah here and instead he was smiling like a goofy teenager throughout. That, we think, is what brought down the performance, because overall, it was very fun and we think better than the second dance, which the judges praised. (7/10)
2. Asuka Kondoh and Vitolio Jeune Jazz, “Heartbreaker” —Pat Benatar choreographed by Mandy Moore
Asuka came out dressed like a tramp. It is not becoming for her, but she was trying to look the part of a rocker as they danced to Pat Benatar. We found nothing thrilling in the performance. The moves and lifts were dull. The choreography took few risks and left us flat. Then we listened to the judges praise it? What is wrong with this picture. (6/10)
3. Melissa Sandvig and Ade Obayomi Rumba, “Emotion” —Destiny’s Child choreographed by Tony Meredith
This has the ability to kill some dancers, but it plays well to a ballet style and Melissa is all ballet with a massive dose of style. Her body is so physical, that it makes movements impossible for anyone look simple. Ade was on mark and great at leading. He is no Joshua, at least not at this stage, but in some ways reminds of him. His strut just screams Joshua at times, but he doesn’t have the total masculine demeanor that made Joshua commanding. Overall, though, this was clearly the best of three. (9/10)
4. Janette Manrara and Brandon Bryant Hip-hop, “What a World” —Common choreographed by Dave Scott
Now we’re talkin. Janette came out wearing a burlesque style outfit as sexy as anything worn by Liza Minelli in her jaunt into the genre. But something was missing. We think it was Brandon. He did OK, and he danced well, but he seemed feminine which doesn’t work for the man in hip hop. He was sharp on his moves though and Janette was smokin’. (8/10)
Top 16 Solo Introduction plus Dance Performance Recap
5. Kayla Radomski and Kupono Aweau Viennese Waltz, “Sweet Dreams” —Jewel choreographed by Jean-Marc Généreux
Now this was to be very difficult. Neither of these dancers are ball room. And by the luck of the draw, they picked this seemingly off character dance for their first week together after losing their partners last week. We were incredibly surprised. Both delivered graceful performances with moves, lifts and timing that were impeccable. No bottom 3 this week. (9/10)
6. Randi Evans and Evan Kasprzak Contemporary, “Koop Island Blues” —Koop featuring Ane Brun choreographed by Mia Michaels
This performance had a major jazz style even though contemporary. There was nothing outstanding about it from a dance standpoint. No spectacular lifts or death defying leaps across the stage. There were no flips or somersaults. Just a story, a simple one, of a rascal of a man mesmerized by the derrière of a cagey blonde. We were shocked to see Randi has a rump. Nice job Randi. Evan and Randi nailed this routine. Mia Michaels brought us in again, and we have no idea how she can do it every week. We loved this and we’ll upload vids later for you guys to watch if you missed it. Fantastic. (10/10)
7. Caitlin Kinney and Jason Glover Paso Doble, “O Fortuna” —Mozaretum Orchestra Salzburg & Kurt Prestel choreographed by Jean-Marc Généreux
This dance has to be done with total strength and confidence. Jason pulled it off beautifully, and we think this dance, if improved slightly with time, is one for the live show. We loved Jason’s strength throughout the dance. And Caitlin’s lines and feminine but powerful moves were equally as captivating. There were a couple of minor issues the judges picked up on, but if you watch the dance as a dance lover and not a complete critic, this was wonderfully done. (9/10)
8. Jeanine Mason and Phillip Chbeeb Broadway, “Moses” from Singing in the Rain choreographed by Tyce DiOrio
Phillip is just not this kind of dancer. He did manage to jump over a sofa the long way and mastered it, and his facial expressions were fun in this type of performance, but he is not diverse enough for anyone to believe him a finalist. Jeanine on the other hand is a firecracker, beautiful, graceful and consistently delivering performance after performance. She just can’t carry the act by herself. This was fun. We liked it a bunch. We had fun. But Philip just does not belong in this group of men, and may force Jeanine to dance for her life tomorrow. (7/10)
Our bottom three:
Asuka & Vitolio
Jeanine & Philip
Karla & Jonathan
The pair of dancers that should go this week? We think Philip should go no matter how flexible or popular he is. And Asuka, while graceful, is outclassed by the remainder of the gals. Jonathan is at real risk though if his solo isn’t great because Philip has a strong following. Karla is fantastic though and we would hate to see her have to dance for her life. Vitolio is fun, but we don’t like him all that much. So it is hard to pick, but we think Philip should go, if not Philip, then Vitolio. From the gals, Asuka is the weakest, and if it comes down to a solo, we think it will be a clear cut choice.
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This page is updated weekly. Find out at a glance and quick who got eliminated in So you Think You can Dance Season 5, and when they got eliminated…
Click on the links to check their profiles and videos.
Behind the look of the Top 18 Group dance, from SYTYCD costume designer- Soyon
We have seen disappointment on this show repeatedly over the years, and we have watched it since year one. We go to see the show live each year, and are repeatedly stunned by the endearing personalities and inspiring talent of the dancers. So when we see any dancer that does not deserve to go home get eliminated, we are saddened.
When that dancer was part of a team that wowed us the night before and was clearly, if not the absolute best, among the best of the night, we are even more disappointed. And yet, we have yet to see what we considered the top three of either the male or female groups eliminated before the top 10. And we felt the same this week.
Still, last night, Randi and Evan were weak and were lucky. We believe it is their cute personalities and their humble origins that make them both way too lovable to vote against. Cuteness won out, and this couple was pardoned for a less than stellar evening last night. They escaped the bottom 3, but we think they deserved to be there more than one couple that was placed there and would eventually lose a dancer.
Caitlin and Jason were very weak last night in their Hip Hop routine. Jason was better, but wasn’t stellar. Caitlin has no feel for hip hop at all. But we feel that what transpired is ashame in a way, because we think that hip hop is the least important dance to master. Honestly, it is not in the same category as ballet, contemporary and ball room. This show has brought it to the forefront and made it entertaining, but to eliminate a dancer that is excellent because they cant “hit” a Hip Hop routine is sad. But would this doom them? Well, it did put them in the bottom 3.
Ashley and Kupono were also weak in their Hip Hop, and as we mentioned, when you get to go last, you have a chance to really nail the routine and get the most votes because the audience will remember you the best. The problem is, if you don’t, they remember that as well. Ashley and Kupono stepped out and embarrassed themselves. There was no style to their dance. It hit about as hard as a helium balloon. And the moves were as crisp as over-cooked spaghetti. Nothing about this performance did anything for us. In the other dances, one dancer was significantly better than the other. In this dance, neither did it for us. And they went to the bottom 3. So of the two soft Hip Hop performances, both couples were sent to dance for their lives.
Kayla and Max performed one of the absolute best routines last night. Janette and Brandon were better, but there is no way this couple was in the bottom 3, and yet, there they were. America abandoned them. We expected Ashley and Kupono. We expected Caitlin and Jason. But Kayla and Max? No way. Compare them to any other couple last night and they were as good or better consistently than almost any of them. But America did them a disservice and placed them in a situation in which they had to dance for their lives.
Where does that logically place us? Well, Kayla is untouchable in our minds by the judges. They have promoted her too strongly, so if she didn’t fall down and hit her head on the stage, she wasn’t going to get sent home. That left either Caitlin or Ashley. It could have gone either way, but Caitlin’s solo was much better and that put the final nail in Ashley’s coffin. A sad ending to a great season and a horrible follow up to last week’s stellar performance. All primarily because of hip hop, a dance that, while fun, really is weak in the world of dance competition. Ashley is not the best of this group of women, but she did not deserve to go home yet, and it is pathetic that it is because of a hip hop routine.
Jason pulled out a spectacular solo and is amazing as a stand alone dancer. We would have been very upset if he had been eliminated as well because of being assigned a weak dance style. He wasn’t. He was great and the judges acknowledged it.
But what comes next is ashame no matter which dancer gets eliminated. Max was in one of the two or three best couples last night and shouldn’t even have to dance for his survival. And Kupono is an incredibly diverse and talented dancer. Kupono’s solo, though, was weak. He should have done much better. But the judges went for diversity over quality in this case and eliminated Max. Max was robbed because he should never have had to do a solo tonight. It was sad, but he wasn’t the man that was going to win this competition anyway.
FOX 11’s Jane Yamamoto reviewing the So You Think You Can Dance results show with Courtney Galiano
That said, two dancers departed that could not have been the winner of this year’s competition, so we don’t feel all that badly about their departure. However, we believe one was the luck of the dance draw and the other a victim of an audience that missed the performance.
We did pick two of the couples in the bottom three correctly. We do think Ashley lost the solo and thus was the correct gal to ship off. Max isn’t diverse enough. At best he is a Dmitri, a fourth place finisher. But we still felt he did not deserve it this week.
So, we were left a bit perplexed at one of America’s choices for the bottom three, but were in tune with the other two. We did expect Caitlin’s elimination, but could have seen either Kupono or Max go home.
The hardest thing now is it splits a couple. Max and Kayla were great together. Max is a great leading man for Kayla to follow on the floor. He has possibly the best partnering skills out of the group of men this year. As a result, Kayla has to dance with a partner with whom she is not familiar. And Kupono has a vastly different style. It could be very difficult for Kayla to get past that, and certainly it puts them at a severe disadvantage next week.
Couples who are safe and dancing next week:
Brandon and Janette
Karla and Jason
Evan and Randi
Ade and Melissa
Asuka and Vitolio
Philip and Jeanine
Kupono and Ashley
Caitlin and Jason
Max and Kayla
Eliminated: Max Kapitannikov and Ashley Valerio
Elimination Week Video Recap
Sometimes, the sophomore performance is just plain lacking. Such was this week. It is not that the dancers weren’t great, but last week, the opening of the 20 top dancers competition, was incredible. The creativity and the style, both on the part of the choreographers and dancers was phenomenal. We have watched that show no less than five times this past week because it was spectacular.
So we entered into tonight thinking, these people are going to step it up even further. We were wrong. The show stumbled. The dances weren’t as good nor as sharp. Many otherwise excellent dancers did not show up when it counted. And in general, the choreographers were rather dull, save for a couple of dances. When Disco is the best dance of the night…you have a problem.
1. Randi Evans and Evan Kasprzak Jive, “Shake A Tail Feather”—Ray Charles
Choreographed by Louis van Amstel
The choreographer forgot how important leg movement is in this dance. Watch a Benji jive, for example, and the legs are living and kicking the entire time. There was very little of that in this dance, which left us wondering if we were watching the jive at all. These guys didn’t bring it and also went first, but we blame the choreographer, at least in part, for designing a dance that didn’t feel much like the style it was intended to be. Randi showed little unique personality, but has good technique and is a peppy dancer. Evan, well, for some reason, this wasn’t his night. Seems like there was enough blame to go around for everyone. (6/10)
2. Melissa Sandvig and Ade Obayomi Jazz, “24 Hours” (The Aston Shuffle A-Bomb Remix) —Terry Poison
Choreographed by Sonya Tayeh
The music on this song was horrible. It made absolutely no connection for us, and we feel as though the dancers started off with little connection to it as well. But Melissa and Ade brought it after a bit of a slow start. Their movements were unique and strong. Ade is physically incredible, which lends itself well to this kind of dance, where expression is so very important. Melissa was on target and in sync. We loved the performance. (8/10)
3. Caitlin Kinney and Jason Glover Hip-hop, “Missin’ You” —Trey Songz
Choreographed by Shane Sparks
There are times you just can see the pain in a dance, and it isn’t the intended pain of the choreographer. While they were smiling, the dancers were struggling throughout. Jason was able to hit the moves stronger and with more feeling. Caitlin had no feel for it at all, making Hip Hop look more like Contemporary. They danced great, but forgot to do Hip Hop. (6/10)
4. Janette Manrara and Brandon Bryant Disco, “Loving Is Really My Game”—Brainstorm
Choreographed by Doriana Sanchez
This was probably the best dance of the night. The tempo was incredibly fast, which brought an energy to the performance that has been lacking in prior disco sets. Despite a minor stumble, Janette was incredible, performing a V Split that hurt us to watch. Brandon, well, there is nothing he can’t do. Amazing performance for both of them and the best of the night. (9.5/10)
Top 18 Solo Introduction and Dance Recap
5. Asuka Kondoh and Vitolio Jeune Waltz, “Dreams Are More Precious” —Enya
Choreographed by Louis van Amstel
The waltz is a very difficult dance to pick up if you are not graced with training. Neither dancer is truly the type we would expect to be a champion Waltz dancer. Asuka, however, is graceful, and she did not want to be in the bottom three this week, and it showed. She was elegant throughout, smooth in every move even when her partner was less so, and dressed in stunning fashion. She was flawless in this dance which helped Vitolio. Vitolio was strong and on tempo. He was able to pull off every necessary lifts. But his leg movements were anything but the Waltz. He brings down the couple’s score, but Asuka was a 9. (8/10)
6. Kayla Radomski and Max Kapitannikov Pop-Jazz, “Hot Like Wow” —Nadia Oh
Choreographed by Brian Friedman
We think the judges on this show really underestimate Max’s talent. He is an incredibly strong dancer and, more importantly, in this phase of the competition, an amazing partner. Kayla is spectacular, but Max makes her even more special. This team pulled off an amazing dance that was so close to Janette and Brandon that we have to give them the same score. But Janette and Brandon won by a hair. (9.25/10)
7. Karla Garcia and Jonathan Platero Contemporary, “Falling Slowly” —The Frames (Original The Frames Music Video )
Choreographed by Stacey Tookey
Jonathan is not a contemporary dancer, but he nailed this performance. Karla was phenomenal. We weren’t crazy overall about the choreography. They weren’t the best of the night, but Jonathan proved to us that he is a serious contender. Karla always was. We also place them at the top of the night, losing slightly to Janette and Brandon. (9/10)
8. Jeanine Mason and Phillip Chbeeb Tango, “Violento (Up Mix)”–Bailongo!
Choreographed by Tony Meredith
If you cannot swim, you tend not to jump into the deep end of the pool. This show tends to throw dancers into the deep end even when they cannot swim. And Phillip could not swim. He is brilliant at what he does, but his attempt tonight was rather pathetic. It reminded us of Dancing With The Stars, with Jeanine as the Pro and Phillip as a wanna be star hoping to not be embarrassed. The result makes Jeanine even more phenomenal to us. Despite Phillip being awkward and plodding, she made every move gracefully and professionally. She gets a 9. Phillip a 4. Total score? Who knows, but we figure a (7/10).
9. Ashley Valerio and Kupono Aweau Hip-hop, “Imma Be” —The Black Eyed Peas
Choreographed by Shane Sparks
Now, when you get to go last, you have a chance to really nail the routine and get the most votes because the audience will remember you best. Ashley and Kupono stepped out and embarrassed themselves. There was no style to their dance. It hit about as hard as a helium balloon. And the moves were as crisp as over cooked spaghetti. Nothing about this performance did anything for us. In the other dancers, one dancer was significantly better than the other. In this dance, neither did it for us. (6/10)
Overall, tonight was a disappointment with only three great dances. Last week we are keeping in our DVR and will watch again and again. This week gets erased permanently.
Out of it all though emerges the bottom three. And it is pretty obvious who they are. Ashley and Kupono, Randi and Evan, & finally Caitlin and Jason were our bottom three. Much disappointment after being so stellar last week. Any one could go, but we think Ashley and Kupono were the flattest of the three couples. Randi was not incredible. But Caitlin and Jason were a huge disappointment because we expected more of Caitlin than this. So tough to call the actual bottom, and it will come down the solos. We think that Ashley and Kupono should depart as a couple, but it is so close at the bottom this week, that it just plain doesn’t matter which of the three goes. Problem is, in this show, one bad week and you could be gone, but next week could be your best of the season. It is just not possible to know.
We can narrow it down though and it was much easier to pick out the potential losers this week. Then again, America often mislead us with their votes that totally render a surprising bottom three. We’ll see.