“I’m just giving of my body on the stage and putting my life at risk, literally,” West said to host Garrett, referring to his tour performances of songs like “Can’t Tell Me Nothing” and “Coldest Winter,” during which he stands on top of a moving mountain.
“That mountain goes really, really high,” he continued. “And if I slipped … You never know. And I think about it. I think about my family and I’m like ‘Wow, this is like being a police officer or something, in war or something.’”
Actual police officers disagree. The chief of the Brimfield, Ohio Police Department posted a lengthy response to West on Facebook, where it has garnered more than 100,000 likes.
I am honored to be writing such an important star. I am a mere Internet sensation. I’m not sure I am worthy to address you, although the Huffington Post did say I was “Humorous and Insanely Popular.” I don’t pay much attention to those things. Anyway, please excuse my interference in your life for a quick second.
I read your interview and also watched it on video. You said:
“I’m just giving of my body on the stage and putting my life at risk, literally.….and I think about it. I think about my family and I’m like, wow, this is like being a police officer or something, in war or something.”
I want to thank you for putting your life on the line for all of us every day. I know that being a rapper is tough work. I have tried to rap, and it is very difficult to keep up with the pulse of the rhyme flow…although when Ice Ice Baby comes on the radio, I can usually keep up with ol’ Vanilla. Anywho, your job is just some very dangerous work. Most people don’t consider… if you rap really fast, without a chance to inhale, you could pass out and hit your head.
That last paragraph was covered in sarcasm. I’m letting you know, just so you do not think I agree with your very ignorant assessment of your career (or any other performer)as it relates to a person in the military or a police officer’s service. You sir, are as misguided as they come. I do have a suggestion for you. Since you are accustomed to danger, from your life as an international rapper, I am strongly encouraging you immediately abandon you career as a super star and join the military. After joining, I would like you to volunteer to be deployed in Afghanistan or one of the numerous other forward locations where our men an women are currently serving. When the Taliban starts shooting at you, perhaps you could stand up and let the words flow. It could be something like “I’m Kanye West, wearing a flak vest.” I’m sure they would just drop weapons and surrender. You could quite possibly end all wars, just from the enemy being star-struck.
Your line of thinking is part of the problem in the world today….which include entertainers thinking they are something more than just entertainers. I know it is supply and demand and the demand for your services is high. I get economics. What I do not get is you EVER comparing what you do for a living to our heroic military members, who are always in harm’s way… and my brother and sister police officers who have to go to work carrying weapons and wearing a bullet-proof vest to protect themselves.
Check yourself, before you wreck yourself….Chief Oliver.
More than just ghost hunters and police chiefs have found West’s comparison a little hard to take. He might not be a solider, but he’s taking plenty of shots.
1. Prince reportedly sent Weird Al Yankovic a telegram back in 1986, commanding the comedian to avoid eye contact with him during the entirety of the American Music Awards show.
2. Though little was known about eating disorders in his heyday, Louis Armstrong showed signs of bulimia. He binged and purged with the help of laxatives; he was often pictured with his laxative of choice, Swiss Kriss, and recommended it to his friends with the catchphrase “Satch says: Leave it all behind ya!”
7. B.B. King named every guitar he owned Lucille after an incident at one of his performances. Two men had a physical altercation over a woman named Lucille; during the scuffle, they knocked over a barrel of kerosene that heated the venue and subsequently set the venue on fire. All persons inside were evacuated, but King ran back into the burning building to rescue his $30 Gibson guitar. The guitar thus became known as Lucille, as a reminder to King never to run into burning buildings or fight over women.
8. At the height of McCarthyism in the ’50s, Lena Horne was blacklisted as a Communist over her participation in the Civil Rights Movement and her friendships with fellow activists Paul Robeson and W.E.B. DuBois.
9. Getting fired from Office Depot inspired Janelle Monae to write “Letting Go,” the song that would reach the ears of OutKast‘s Big Boi and launch her career.
10. When a drunken emcee announced The Sledge Sisters as “Sister Sledge” on stage, the quartet rolled with it and went on to use the error professionally.
11. James Brown‘s famous dance moves were coded directions for his stage band; every hand movement meant Brown had noticed a bum note or had seen a pair of unshined shoes.
12. Jimi Hendrix often switched up the frequently misheard lyrics to “Purple Haze” in his live performances; he swapped out “kiss the sky” for “fuck the sky” during a Seattle rainstorm, and for “kiss this guy” during another performance as he pointed to drummer Mitch Mitchell.
13. Using a modified board with elevated squares, Ray Charles frequently played chess with friends and band members. In 2002, Charles faced off against (and lost to) chess grandmaster Larry Evans.
15. Billie Holiday was inspired to write “God Bless the Child” after she and her mother had an argument over money.
16. Marvin Gaye once shaved his head in protest of boxer Rubin “Hurricane” Carter’s wrongful murder conviction.
17. In The Last Days of Left Eye, Lisa “Left Eye” Lopes of TLC voiced her objection to the glorification of revenge-cheating in the group’s hit single “Creep.” Left Eye threatened to wear pieces of black tape over her mouth during the filming of the music video, but she let her resentment creep away.
18. Stevie Wonder led the campaign to have Dr. Martin Luther King Jr.’s birthday designated as a national holiday.
19. Mary J. Blige‘s debut album title What’s the 411? was a shout-out to her former job as a directory assistance operator.
20. Despite his lyrics to “In Da Club” and “P.I.M.P.,” 50 Centabstains from alcohol and drugs, citing a “bad experience” with alcohol and an outsider’s view of what drugs can do to a person.
21. Remember that video of a fresh-faced Nicki Minaj acting out a monologue? Before her rap career blew up, Nicki Minaj pursued acting and was cast in the off-Broadway play In Case You Forget.
Sal Idriss / Redferns
Sal Idriss / Redferns
22. Gloria Gaynor won the first and only Grammy for Best Disco Recording with “I Will Survive”; the recording academy discontinued the category after disco fell out of public favor.
23. UPenn graduate John Legend turned down admission offers from Harvard and Georgetown at the tender age of 16.
34. Frank Ocean credited his Bernese mountain dog Everest as the executive producer of his critically acclaimed album Channel Orange.
35. Missy Elliott accidentally filmed “Work It” while drunk; director Dave Meyers forgot to replace the wine glass in the restaurant scene with water. After the shot had been filmed seven times, Missy was thoroughly inebriated.
36. As a student at the Baltimore School of Arts, Tupac Shakur took ballet classes.
37. Jazz legends Ella Fitzgerald, Dizzy Gillespie, and Illinois Jacquet were all arrested for gambling in a racially motivated sting set up by the vice squad of Houston’s police department.
38. Salt-N-Pepa‘s “Push It” began as a joke. Producer Hurby Azor came up with the synth line: Salt-N-Pepa’s Cheryl James and Sandra Denton found it “corny” and added the now iconic “Ooh, baby, baby” to mock it.
40. Janet Jackson initially balked at the idea of collaborating with brother Michael, citing a desire for her own fame separate from the Jackson name, but eventually caved in. Thankfully she changed her mind; the siblings went on to give us “Scream.”
41. Dizzy Gillespie‘s signature cheek pouches, caused by his blowing techniques, are now considered a medical condition.
43. As a high school sophomore, Lauryn Hill appeared on daytime soap As the World Turns as Kira, a troubled teen.
44. Erykah Badu was fined $500 and charged with a misdemeanor for public nudity during the filming of her music video for “Window Seat.” Badu intended her nudity to be a statement of liberation against groupthink.
45. At the height of its popularity, Chubby Checker‘s “The Twist” was explicitlyforbidden in New York City Catholic schools because of the song’s “un-Christian” nature.
46. Mariah Carey‘s high school nickname was “Mirage,” thanks to her many absences.
47. Nat King Cole was the first black American to have his own television show. The Nat King Cole Show ran without national sponsors on a network-supported basis, and was eventually done in by a lack of financial support.
48. Contrary to popular belief, Jay Z‘s stage name does not come from the J and Z lines that run by his childhood home in Brooklyn’s Marcy Projects. Jay Z had been known as Jazzy, but he adopted his current moniker after Jazzy became too “glittery.”
49. The phone number in Alicia Keys’ “Diary” was her old phone number, which led to a number of headaches for Georgia resident J.D. Turner, who had Keys’ old number (albeit a different area code.)
50. Whitney Houston nearly became a member of the Huxtable clan. She auditioned for the role of Sondra Huxtable, the eldest daughter on The Cosby Show, but lost the role to Sabrina LeBeauf.
Recorded on February 1st, 2010, in the same studio as the original 25 years earlier (Henson Recording Studios, formerly A&M Recording Studios) “We Are The World 25 For Haiti”, in which Jones and Richie serve as executive producers and producers, was created in collaboration with executive producers Wyclef Jean, Randy Phillips and Peter Tortorici; producers Humberto Gattica and RedOne; and co-producers Rickey Minor, Mervyn Warren and Patti Austin to benefit the Haitian earthquake relief efforts and the rebuilding of Haiti.
Academy Award-winning writer-director Paul Haggis (Crash, Million Dollar Baby), whose own personal efforts as well as those of Artists for Peace and Justice have already saved countless lives in Haiti, filmed the private recording session to create the accompanying video and behind-the-scenes production, and serves as Film Director and as an Executive Producer with Jones, Richie, Jean, Phillips and Tortorici.
The 25th Anniversary recording features over 80 artists and performers. The recording of We Are The World 25 For Haiti embodied the same enthusiasm, sense of purpose and generosity as the original recording 25 years ago. Every one of the artists who participated, regardless of genre or generation, walked into the room with their hearts and souls completely open to coming together to help the people of Haiti.
Random Artists: Brandy, Celine Dion, Keri Hilson, Usher, Swizz Beatz, Lionel Richie, Snoop Dogg, Justin Bieber, Jamie Foxx, Kid Cudi, Nicole Scherzinger, Miley Cyrus, Quincy Jones, Josh Groban, Janet Jackson, Michael Jackson (RIP), Will.I.Am., Kanye West, Kid Cudi, LL Cool J, Black Eyed Peas, Robin Thicke, Randy Philips, Barbra Streisand, Wyclef Jean, Akon, T-Pain, Lil’ Wayne, Tony Bennett, Kanye West, Enrique Iglesias, Gladys Knight, Trey Songz, Jona Brothers, Vince Vaughn, Toni Braxton, & Jordin Sparks
America’s vote nailed Phillip and Jeanine and we were only right on two couples in the bottom three. But Phillip did a great solo and did not belong here tonight after he got hip hop again last night. He should have gone last week or the week before, but this week, he didn’t belong here. The other two couples unfortunately did, but only by a hair.
Randi and Evan thankfully escaped. We love them and think the judges were totally unfair in their criticisms last night. Still, we did see them at the top of the bottom three, and they survived without having to dance for their lives.
Kupono was not so lucky. We felt that he didn’t cut it last night, while he was great other nights, but he was thrust into the bottom. And his solo was horrible. But lucky or not, he survived.
So that left Vitolio, someone we thought could make the bottom three because of a rather unmemorable performance. The judges were cruel after his solo saying that at the end of the day all he had was a great presence on stage but the performance was lacking. These judges have been calling his praises for weeks and know that is far far from the truth. He had a bad night. His solo was better than Kupono’s. There were other factors at work here. But still, we did see him in the bottom three if Randi and Evan did not get in.
For the women, the best solo by far was danced by the one woman that did not belong here. Jeanine nailed the solo and literally embarrassed the other girls. She is a stunning dancer that has carried Phillip for weeks and she deserves to be in this.
So, that left Kayla and Karla. Not much difference in the names, but there is a difference in their talent. Once again, the judges missed the mark as to why. Kayla is just better. Karla could have spun cartwheels in the stars and not won this. The judges had already made up their minds. So their comment that Karla was lacking star quality was just stupid filler. If she isn’t a star, what do you call the top 20? They are all star quality.
And so we say goodbye to Karla and Vitolio. We think that Phillip is entertaining, but doesn’t belong here on the basis of his overall talent. We do like him though and he did kill it last night. And we think Kayla had better step it up big time, because while the judges are singing her praises, we, the audience, obviously aren’t getting it and she keeps getting the honor of doing survival solos.
Elimination recap from the judges and comments from Karla and Vitolio
How does one judge a bag of nuts. Well, the judges were nuts, but that is not what we mean. You are given a basket of the best and freshest nuts. Walnuts, almonds, filberts, macadamia, cashews and pecans. Then you are asked to pick your least favorite. What would happen?
We know our choices. We would pick almonds and have a tough time between macadamia and filberts. But others that crave the walnut would beg to differ. And those that have that passion for the cashew, no other nut will do, of course we have to be wrong. And anyone knows that the macadamia is the most royal, creamy and perfect nut of all. But the champion of nuts that spans the entire spectrum of nut lovers because everyone loves it is the almond.
So what would you choose? It all comes down to taste. It all comes down a number of factors that are not exactly intuitive on the surface, but that make sense as you drive deeper into the selections. So, as we snack on peanuts, we shall judge the rest of the nuts.
First, let’s begin by saying we believe this show is a bit of a hoax. No, the dancing is fantastic and the judging real, but if anyone believes the judges are spontaneous, they are wrong. The judges are rehearsed. And the part that bothers us about this is the judges had to have their minds made up before the performance, which is kind of disgusting. There is no shock, no stammer, no loss for words. It is all staged and as choreographed as the dancers which is disappointing. The judges are great at what they do, but they are poor actors.
Tonight was a night when we saw every couple hit their number. Normally, we judge from the bottom up on this show (no we are not referring to the spectacular performance last week by Evan and Randi), but this week, we had to judge from the top down. Every performance was so well done that we were taken aback. Not one dancer flinched. None flubbed. There was no chance for anyone to lose, but someone has to.
That said, the dancers were given their time to perform in their niches tonight. It was no coincidence. This was no luck of the draw or you have to believe that you can actually beat the casino at roulette.
Well, does it come down then to the wheel, the dice or the machine? If the player isn’t winning, could it be the instrument? In this case, the instruments are the choreographers. And the choreographers on this show are so tremendous that it would be hard to judge them. But a new choreographer, not quite as well understood and not as adept at training dancers that must perform in this level of competition often do have weaknesses, and the dancers can pay for them.
To the dancers: (Solo introduction and dance recap at the bottom of this post)
1. Janette and Brandon – Cha-Cha-Cha “Hush Hush”—The Pussycat Dolls, Choreography by Jean-Marc Généreux
There is often a really subtle standout in the show that comes out as the show progresses. In this show, it is Janette. She is spectacular. Her legs are as fast as any dancer, and when you compare her to so many others on this show that had fast legs, that is a tremendous achievement. She is mesmerizing to watch. Brandon is a wonderful dancer, but is too effeminate. We hope he shakes that because he is truly talented. Even with his weakness, though, this dance was amazing. (10/10)
2. Kayla and Kupono – Contemporary “Eyes On Fire”—Blue Foundation Choreography by Sonya Tayeh
You know, we thought this was an absolutely great set. We love dark theme performances and this was no exception. Kayla, as usual, had awesome lines, but we didn’t see her being as much of a standout as in prior weeks. Kupono was great here as well, but we didn’t find the performance particularly memorable. The judges loved it, but it just wasn’t overall as good as they made it out to be and yet (9/10)
3. Randi and Evan – Broadway “Rich Man’s Frug” from Sweet Charity Choreography by Joey Dowling
Now, sometimes, someone just has to get art. You can look at a masterpiece and stare at it for hours and have no idea what makes it great. This performance had a twist of the odd in it. The most important part of the dance, independently of making every step perfectly, was the character acting. Evan pulled it off with amazing accuracy. His acting persona was spectacular. Randi was not quite as good this week as last, but that is like saying she was only genius. These two were once again fantastic. The judges had to find someone to criticize after praising the first two dances, but this dance was every bit as good. (9/10)
4. Caitlin and Jason – Pop-Jazz “Creator”—Santigold Choreography by Brian Friedman
There are times that being the oddest person in the group makes you stand out in a positive way. In other cases, no matter how wonderfully odd you are, you are just odd. We blame the choreographers for the fact we did not like this dance as much as the others. The judges could not place their fingers on it and blamed Caitlin’s distracting outfit, but she was supposed to be an alien for heaven’s sake, and it is not like the dancer’s pick their outfits. Stupid for the judges to mention it. But the quirkiness of the dance did not take away from Caitlin and Jason’s talent. They performed amazingly well. (9/10)
5. Jeanine and Phillip – Hip-hop “Love Lockdown”—Kanye West Choreography by Tabitha D’umo
OK, now let’s give Phillip a chance here. Give him what he does best so we can show why he belongs here. Fine, we get it. But so many other dancers have had to dance out of their element every week and as Phillip got in trouble two weeks running with that, they brought him back with this performance. OK, Phillip is amazing at this style and Jeanine can do anything, so we cannot take anything away from this performance. It was a delight to watch, the choreography was amazing and the dancers on mark throughout. So, what didn’t we like? We feel the show is giving Phillip a strong amount of favoritism because of his entertainment factor within his niche. The show may be right, we enjoyed watching this performance enormously. And we believe Jeanine is as good as any woman here. (10/10)
6. Melissa and Ade – Classical Pas de deux Romeo & Juliet: Provofiev’s Suite (No.1 Op 64b, 6th Movement)—Orchestre De La Suisse Romande & Armin Jordan Choreography by Thordal Christensen
This was perfect for Melissa to show her lines and specialty. Finally, she was given an opportunity to perform like the ballet artist she truly is. There was no doubt throughout who we were watching. Melissa floated through the air, pointed like the most talented ballerina and made the Nutcracker look like a show for amateurs. This was her best performance. Ade, on the other hand, was out of his element. The judges praised him, but to us, Melissa outclassed him so greatly that it made him look silly at times. Melissa was so graceful and perfect though that she totally disguised any lack of grace by Ade. In a lift that took us to a world of enchantment, Melissa arched her body and bent her legs so gracefully that it looked for sure like she could fly. During the lift, Ade was merely her support and little else, but no one was looking at Ade. In another move, it was grace by Melissa that made her look like she was literally flying across the stage like a real life tinker bell, and once again Ade was merely a prop. So, how do we judge this? (10/10)
7. Karla and Vitolio- Quickstep “Puttin’ on the Ritz”—Rufus Wainwright, Choreography by Jean-Marc Généreux
Ah, if only Vitolio could work that goofy smile into something a bit more serious. His smile tends to make us want to laugh when we see it. But he can dance. Karla needed a great performance tonight to pull out of the bottom three. This is a new couple, and that brings some very interesting and difficult challenges. In this performance, Karla pulled out all the stops and performed the best we have seen her. Vitolio was great, but somehow detached. The chemistry was not there for us. But it was still a performance one should not miss. (9/10)
Top 14 Solo Introduction plus Dance Recap
OK, now if we were judging, what do we do now? We have just said everyone is amazing and yet we have to have a bottom 3. Usually, in a given week, we see a blunder that stands out to us. But none stood out in any way this week in a negative fashion performance wise. So, now it comes down to taste.
We don’t like walnuts. Caitlin and Jason were our walnuts. We see them in the bottom three because we believe they will not make the final snack bowl. The choreography was too odd, and even their great talent could not bring it out in as positive a way as the rest of the group.
We love macadamia nuts. They are delightful and we know they could never be in the bottom three. Jeanette and Brandon were our macadamias. They were the number one or number two couple. No question.
Now, normally, we don’t care much for cashews. They are mealy at times and often much sweeter than we like a nut to be. But every once in a while, you get a perfect cashew. Jeanine and Phillip were out perfect cashews. If they are in the bottom three it is only because someone had to be.
Filberts are always a surprise the first time. They have a hard outer shell and look much like an acorn. Seems like food for squirrels, not for humans. But then you taste one, and you realize that they are among the best of nuts. Well, this is how we would classify Melissa but not Ade. Still, as a team, they were what makes a cashew lover remember why they crave them. No bottom three here.
Shoot, now we only have one bottom couple. What do we do? We have no choice but to place Kayla and Kupono and Randi and Evan in our bottom three. Not because they were not spectacular, just that they were a hair behind in a photo finish.
We still believe that in the long run, Phillip cannot win and has no diversity. We don’t believe he has any chance here, so the judges should make way for the more diverse and stop pandering to him. That said, he nailed his specialty so amazingly well this week that he cannot go home. That places Randi and Evan in our bottom three. And we love Evan. They were our almonds. The standby you love every time you have them. And yet, could you give them up for a great cashew? We think it more likely, though, we will be sending home the walnuts. But we can still use them in cookies that no one eats.
Hedging our bets on our bottom three though, we have to turn to the set that was least memorable even if well performed. This also places Karla and Vitolio square in the cross hairs. Anyone other than these four possibilities in the bottom three would be a mistake. But who knows what America will do with ballet? How cultured are we after all?
The solos will tell all. But our bottom three are:
1. Caitlin and Jason
2. Randi and Evan
3. Kayla and Kupono
4. Karla and Vitolio
What we liked about Idol tonight was originality. What we didn’t like was the fact that Paula picked a rather obscure song for Danny, which is sang brilliantly.
Danny Gokey – “Dance Little Sister” — Terence Trent D’Arby — Danny got picked to do a song that was rather unknown from most of the audience’s perspective and still nailed it professionally. There was nothing about Danny’s voice we didn’t like. And someone has to remind those that didn’t like Danny’s dancing, this isn’t a dancing competition. Danny nailed this. (9/10)
Kris Allen – “Apologize” — One Republic – We are not huge fans of Kris. We find him consistently mediocre. But on this tune, he showed that he can sing a major hit and make it enjoyable. As Simon pointed out, it was not as good as the original. What Simon forgets is that the original was done in a studio and we doubt it was any better live. The criticism that he should have used a guitar instead of a piano was grasping for nonsensical strraws. (9/10)
Adam Lambert – “One” — U2 – Spectacular begging with falsetto that no Idol performer could ever perform. Follow it with strong diverse vocals and screams and you have Adam. No one in Idol history could touch Adam. (10/10)
Danny Gokey 2 – “You Are So Beautiful” — Joe Cocker – Now Danny took a very slow tune that it had the chance to be boring. But what he did brought out something we could listen to again and again as we hold each other. Beautifully appointed and planned. It left us thinking that Danny has to be the most unlucky of Idol performers next to Kris. Why? Adam Lambert.
Kris Allen 2 – “Heartless” — Kanya West – Kris took a song that was not at all acoustic and took it to an amazingly different version and made it one of the best acoustic performances that we have ever seen on Idol. Awesome Kris, we loved it. (9/10)
Adam Lambert – “Crying” — Aerosmith – Adam decided to give Danny a lesson on how to sing Aerosmith. He showed that Danny does not have the range or the talent to do this strong of a song. Adam killed it and showed Danny the difference between mediocrity and an Idol. (10/10)
So, now what do we have? We have no idea. We know Adam was best, but Kris and Danny were so close that any yawn, sneeze or trip to the john could have left one or the other swinging in the wind. Our guess is Danny was a tad better. But Kris worked so hard that he got the exact same scores. Our only reason for choosing Danny would be it seemed easier for him. But that doesn’t sound like the best reason.
Our guess? Danny or Kris versus Adam. And we cannot call it, other than Adam is in a class all his own.