The most talked about dance of the Top 16 Performance Night has got to be this choreography from Mia Michaels. What can we say? She’s the choreographer’s choreographer! She’s twisted and wicked awesome!
with judges comments and introduction, Music: Koop Island Blues by Koop feat. Ane Brun
There are times we feel the judges are not on their game. Most of the time, the judges on SYTYCD are quite good, but tonight, we are not so sure. They were inconsistent, and Mary seemed like the only person really paying attention. Nigel Lithgoe was way off, criticizing dances that were performed wonderfully. Mary would correct him, but he continued to miss the mark.
The first performance, though, all the judges seemed to miss.
1. Karla Garcia and Jonathan Platero Hip-hop, “By My Side” —Jadakiss featuring Ne-Yo choreographed by Dave Scott
OK, this was not the best hip hop we have seen on the show, but it was very well done. Our biggest criticism of it was Jonathan’s face. They were supposed to be gangstah here and instead he was smiling like a goofy teenager throughout. That, we think, is what brought down the performance, because overall, it was very fun and we think better than the second dance, which the judges praised. (7/10)
2. Asuka Kondoh and Vitolio Jeune Jazz, “Heartbreaker” —Pat Benatar choreographed by Mandy Moore
Asuka came out dressed like a tramp. It is not becoming for her, but she was trying to look the part of a rocker as they danced to Pat Benatar. We found nothing thrilling in the performance. The moves and lifts were dull. The choreography took few risks and left us flat. Then we listened to the judges praise it? What is wrong with this picture. (6/10)
3. Melissa Sandvig and Ade Obayomi Rumba, “Emotion” —Destiny’s Child choreographed by Tony Meredith
This has the ability to kill some dancers, but it plays well to a ballet style and Melissa is all ballet with a massive dose of style. Her body is so physical, that it makes movements impossible for anyone look simple. Ade was on mark and great at leading. He is no Joshua, at least not at this stage, but in some ways reminds of him. His strut just screams Joshua at times, but he doesn’t have the total masculine demeanor that made Joshua commanding. Overall, though, this was clearly the best of three. (9/10)
4. Janette Manrara and Brandon Bryant Hip-hop, “What a World” —Common choreographed by Dave Scott
Now we’re talkin. Janette came out wearing a burlesque style outfit as sexy as anything worn by Liza Minelli in her jaunt into the genre. But something was missing. We think it was Brandon. He did OK, and he danced well, but he seemed feminine which doesn’t work for the man in hip hop. He was sharp on his moves though and Janette was smokin’. (8/10)
Top 16 Solo Introduction plus Dance Performance Recap
5. Kayla Radomski and Kupono Aweau Viennese Waltz, “Sweet Dreams” —Jewel choreographed by Jean-Marc Généreux
Now this was to be very difficult. Neither of these dancers are ball room. And by the luck of the draw, they picked this seemingly off character dance for their first week together after losing their partners last week. We were incredibly surprised. Both delivered graceful performances with moves, lifts and timing that were impeccable. No bottom 3 this week. (9/10)
6. Randi Evans and Evan Kasprzak Contemporary, “Koop Island Blues” —Koop featuring Ane Brun choreographed by Mia Michaels
This performance had a major jazz style even though contemporary. There was nothing outstanding about it from a dance standpoint. No spectacular lifts or death defying leaps across the stage. There were no flips or somersaults. Just a story, a simple one, of a rascal of a man mesmerized by the derrière of a cagey blonde. We were shocked to see Randi has a rump. Nice job Randi. Evan and Randi nailed this routine. Mia Michaels brought us in again, and we have no idea how she can do it every week. We loved this and we’ll upload vids later for you guys to watch if you missed it. Fantastic. (10/10)
7. Caitlin Kinney and Jason Glover Paso Doble, “O Fortuna” —Mozaretum Orchestra Salzburg & Kurt Prestel choreographed by Jean-Marc Généreux
This dance has to be done with total strength and confidence. Jason pulled it off beautifully, and we think this dance, if improved slightly with time, is one for the live show. We loved Jason’s strength throughout the dance. And Caitlin’s lines and feminine but powerful moves were equally as captivating. There were a couple of minor issues the judges picked up on, but if you watch the dance as a dance lover and not a complete critic, this was wonderfully done. (9/10)
8. Jeanine Mason and Phillip Chbeeb Broadway, “Moses” from Singing in the Rain choreographed by Tyce DiOrio
Phillip is just not this kind of dancer. He did manage to jump over a sofa the long way and mastered it, and his facial expressions were fun in this type of performance, but he is not diverse enough for anyone to believe him a finalist. Jeanine on the other hand is a firecracker, beautiful, graceful and consistently delivering performance after performance. She just can’t carry the act by herself. This was fun. We liked it a bunch. We had fun. But Philip just does not belong in this group of men, and may force Jeanine to dance for her life tomorrow. (7/10)
Our bottom three:
Asuka & Vitolio
Jeanine & Philip
Karla & Jonathan
The pair of dancers that should go this week? We think Philip should go no matter how flexible or popular he is. And Asuka, while graceful, is outclassed by the remainder of the gals. Jonathan is at real risk though if his solo isn’t great because Philip has a strong following. Karla is fantastic though and we would hate to see her have to dance for her life. Vitolio is fun, but we don’t like him all that much. So it is hard to pick, but we think Philip should go, if not Philip, then Vitolio. From the gals, Asuka is the weakest, and if it comes down to a solo, we think it will be a clear cut choice.