There are times we feel the judges are not on their game. Most of the time, the judges on SYTYCD are quite good, but tonight, we are not so sure. They were inconsistent, and Mary seemed like the only person really paying attention. Nigel Lithgoe was way off, criticizing dances that were performed wonderfully. Mary would correct him, but he continued to miss the mark.
The first performance, though, all the judges seemed to miss.
1. Karla Garcia and Jonathan Platero Hip-hop, “By My Side” —Jadakiss featuring Ne-Yo choreographed by Dave Scott
OK, this was not the best hip hop we have seen on the show, but it was very well done. Our biggest criticism of it was Jonathan’s face. They were supposed to be gangstah here and instead he was smiling like a goofy teenager throughout. That, we think, is what brought down the performance, because overall, it was very fun and we think better than the second dance, which the judges praised. (7/10)
2. Asuka Kondoh and Vitolio Jeune Jazz, “Heartbreaker” —Pat Benatar choreographed by Mandy Moore
Asuka came out dressed like a tramp. It is not becoming for her, but she was trying to look the part of a rocker as they danced to Pat Benatar. We found nothing thrilling in the performance. The moves and lifts were dull. The choreography took few risks and left us flat. Then we listened to the judges praise it? What is wrong with this picture. (6/10)
3. Melissa Sandvig and Ade Obayomi Rumba, “Emotion” —Destiny’s Child choreographed by Tony Meredith
This has the ability to kill some dancers, but it plays well to a ballet style and Melissa is all ballet with a massive dose of style. Her body is so physical, that it makes movements impossible for anyone look simple. Ade was on mark and great at leading. He is no Joshua, at least not at this stage, but in some ways reminds of him. His strut just screams Joshua at times, but he doesn’t have the total masculine demeanor that made Joshua commanding. Overall, though, this was clearly the best of three. (9/10)
4. Janette Manrara and Brandon Bryant Hip-hop, “What a World” —Common choreographed by Dave Scott
Now we’re talkin. Janette came out wearing a burlesque style outfit as sexy as anything worn by Liza Minelli in her jaunt into the genre. But something was missing. We think it was Brandon. He did OK, and he danced well, but he seemed feminine which doesn’t work for the man in hip hop. He was sharp on his moves though and Janette was smokin’. (8/10)
Top 16 Solo Introduction plus Dance Performance Recap
5. Kayla Radomski and Kupono Aweau Viennese Waltz, “Sweet Dreams” —Jewel choreographed by Jean-Marc Généreux
Now this was to be very difficult. Neither of these dancers are ball room. And by the luck of the draw, they picked this seemingly off character dance for their first week together after losing their partners last week. We were incredibly surprised. Both delivered graceful performances with moves, lifts and timing that were impeccable. No bottom 3 this week. (9/10)
6. Randi Evans and Evan Kasprzak Contemporary, “Koop Island Blues” —Koop featuring Ane Brun choreographed by Mia Michaels
This performance had a major jazz style even though contemporary. There was nothing outstanding about it from a dance standpoint. No spectacular lifts or death defying leaps across the stage. There were no flips or somersaults. Just a story, a simple one, of a rascal of a man mesmerized by the derrière of a cagey blonde. We were shocked to see Randi has a rump. Nice job Randi. Evan and Randi nailed this routine. Mia Michaels brought us in again, and we have no idea how she can do it every week. We loved this and we’ll upload vids later for you guys to watch if you missed it. Fantastic. (10/10)
7. Caitlin Kinney and Jason Glover Paso Doble, “O Fortuna” —Mozaretum Orchestra Salzburg & Kurt Prestel choreographed by Jean-Marc Généreux
This dance has to be done with total strength and confidence. Jason pulled it off beautifully, and we think this dance, if improved slightly with time, is one for the live show. We loved Jason’s strength throughout the dance. And Caitlin’s lines and feminine but powerful moves were equally as captivating. There were a couple of minor issues the judges picked up on, but if you watch the dance as a dance lover and not a complete critic, this was wonderfully done. (9/10)
8. Jeanine Mason and Phillip Chbeeb Broadway, “Moses” from Singing in the Rain choreographed by Tyce DiOrio
Phillip is just not this kind of dancer. He did manage to jump over a sofa the long way and mastered it, and his facial expressions were fun in this type of performance, but he is not diverse enough for anyone to believe him a finalist. Jeanine on the other hand is a firecracker, beautiful, graceful and consistently delivering performance after performance. She just can’t carry the act by herself. This was fun. We liked it a bunch. We had fun. But Philip just does not belong in this group of men, and may force Jeanine to dance for her life tomorrow. (7/10)
Our bottom three:
Asuka & Vitolio
Jeanine & Philip
Karla & Jonathan
The pair of dancers that should go this week? We think Philip should go no matter how flexible or popular he is. And Asuka, while graceful, is outclassed by the remainder of the gals. Jonathan is at real risk though if his solo isn’t great because Philip has a strong following. Karla is fantastic though and we would hate to see her have to dance for her life. Vitolio is fun, but we don’t like him all that much. So it is hard to pick, but we think Philip should go, if not Philip, then Vitolio. From the gals, Asuka is the weakest, and if it comes down to a solo, we think it will be a clear cut choice.
Oh my what an opening live show for this Season’s So You Think You Can Dance! The audience were feeling it. The judges nervous and excited for the dancers and Cat Deely was just full of life. We can feel both the tension and excitement from watching here at home. It was an overall great show!
What do you know, after they set up the dancers in pairs for the first released interviews- we find out that wasn’t the pairing at all. So we are seeing “new” couples who will be dancing throughout the season until the finals. Here goes:
1. Jeanine Mason and Phillip Chbeeb Hip-hop “Mad” Ne-Yo – Year of the Gentleman (Bonus Track Version)
Choreography of Tabitha D’umo and Napoleon D’umo
Adam Shankman: “That was unfreakin’ real! Jeanine, you are amazing. Philip: No one dances like you. It’s such a joy to watch you dance”
Mary Murphy: “I do hate to disagree with Adam….ahm really sorry… BUT I’M NOT GOING TO…!! (with the Mary loud shriek). Jeanine: You did hold your own up there. Tabitha and Napoloeon, they just know how to work each dancer they get and make it fit and work… Philip: You are special in what you do and nobody does it like you do it.”
Nigel Lythgoe:” You are fantastic Jeanine! I think you have really made a mark for yourself tonight. Congratulations. Philip: You have already got a following. You were brilliant. What a great way to start the night!
To vote for Jeanine and Philip: 1-888-83676-01
2. Asuka Kondoh and Vitolio Jeune Broadway “Hot Honey Rag” Chicago – The Musical
Choreography of Tyce Diorio
Adam Shankman: “You followed a number that was extremely emotional and that the dancers kinda do that and this was much more of a character performance piece. As a result, it felt a little more artificial. That having been said, you guys danced it very well, very clean. What is apparent is that you are both very good dancers, so you know you should feel good about it ”
Mary Murphy: Vitolio: “I’m left sitting just a little bit disappointed. I feel that you really needed to bring this routine to life. It was just safe. You both played it safe…”
Nigel Lythgoe: “The dancing was very strong, your lines were beautiful… But we were expecting for you to put your personalities into it wholeheartedly and I don’t feel as though you did this… You just gotta bring your own energy into it.”
To vote for Asuka and Vitolio: 1-888-83676-02
3. Karla Garcia and Jonathan Platero Cha-cha “Poker Face” Lady GaGa – The Fame Choreographed by Tony Meredith
Adam Shankman: “I thought that was really good. You just *beeped* me up. That was awesome. I do my own censoring so they don’t have to do it. Your lines were beautiful.”
Mary Murphy: Screams…”I love my cha-cha rough. That was a lot of roughin’ and a whole lotta fun.” Screams…
Nigel Lythgoe: “Your another couple that has totally slipped under the radar. Nobody really knew who you were up until tonight. If you talk about chemistry, you two just exploded on that stage. Absolutely fantastic routine. It was exciting. It was challenging to you and certainly entertaining for us here. Congratulations, great routine.”
To vote for Karla and Jonathan: 1-888-83676-03
4. Randi Evans and Evan Kasprzak Jazz “I Only Have Eyes For You” Jamie Cullum – Catching Tales
Choreographed by Tyce Diorio
Adam Shankman: “Let’s just be honest, let’s call spade a spade. You are slightly vertically challenged as a couple. But you both danced like you were 8 feet tall… Your lines went forever. Your lifts were there. You have the sensuality and more… Evan, no one saw you coming. You are a beautiful dancer.”
Mary Murphy: “I have to be honest with you guys. When we left Las Vegas, you were really probably at the end of the pack for me. I’m telling you, the stars have just come out tonight. My eyes are wide open when it comes to the two of you… (brace yourselves, here’s the screaaam…), That was smoldering and fluid and beautiful and absolutely believable!”
Nigel Lythgoe: “You are absolutely fantastic. I like your hair being curly like that. I think you have just become the couple that people will recognize and talk about. This is one of Tyce’ best routines.”
To vote for Randi and Evan: 1-888-83676-04
5. Paris Torres and Tony Bellissimo Hip-hop to the song “Let the Beat Rock” (Boyz Noize Megamix) Black Eyed Peas – Invasion of Boom Boom Pow (Megamix) [feat. 50 Cent]
Choreographed by Tabitha D’umo and Napoleon D’umo
Adam Shankman: “I thought it was really good. But i found the costumes a little distracting… When you attack something, you need more rebound…”
Mary Murphy: “Well, there’s been memorable. I don’t think this will be. Tony this is your field. Paris, it was just good…. Good I’m afraid is not gonna cut it. You’re gonna grow and I hope that you do and I know you’re both capable…”
Nigel Lythgoe: “I agree with Mary, I don’t think it was memorable. Paris, I think you’re a fantastic dancer. you really came into your own when we did West Side Story, I thought you were absolutely sensational. Everyone’s just magnetized by your dancing. Tony there is room to grow across this season and you need a lot of growth… The pair of you were basically just doing steps and it didn’t feel right…”
To vote for Paris and Tony: 1-888-83676-05
Top 20 Introduction and Dance Recap
6. Caitlin Kinney and Jason Glover Bollywood to the song “Jai Ho” from Slumdog Millionaire
Choreographed by Nakul Dev Mahajan
Adam Shankman: “You GUYS ROCK!!! (very pleased indeed!) Jason, your hand work was so superb, your feet hit on the floor so hard and perfect. You did a thing that is so essential to a great dancer, you made it look like it was nothing. Effortless. Caitlin, I was worried about you. you did a great job.”
Mary Murphy: “I’m glad Bollywood came to Hollywood. Yes, I am. That was cool. Caitlin, your handstand, the stength…of keeping it still and doing your foot, that was bizarre. Jason, you have charisma that just reeks out of those eyes, yes you do.” (Screams…)
Nigel Lythgoe: “You brought it tonight. Absolutely fantastic. You encapsulated that whole thing. Caitlin, from the moment you came alive as his hands touched you, and you breathed in and we felt that and we thougth this is going to be special. That was beautiful to see. Congratulations! Jai ho!
To vote for Caitlin and Jason: 1-888-83676-06
7. Janette Manrara and Brandon Bryant Foxtrot “Come Fly With Me” —Michael Bublé
Choreographed by Louis van Amstel
Adam Shankman: “As sad as I know America will be to see Brandon actually dancing in clothes, I’m just going to tell you- it works…. It was lovely. Absolutely lovely. You both should be very very proud of yourselves.”
Mary Murphy: “Janette: You were Ginger Rogers out there. you were elegant and you know you are Miami fire and spice, your lines were lovely, your legs were lovely. The lifts looked effortless… Brandon is a powerhouse. Brandon, if nobody sees the talent that you are, they’re just crazy! (Shrieks…)
Nigel Lythgoe: “As a Salsa dancer there is no way you have this courage. This is something that you found in a very short time, Janette and it’s absolutely beautiful. The way you carried yourself, the grace- it was beautiful. Brandon, I doubt you’ve ever worked in a frame work before have you? (Brandon: NO.) You kept that brilliantly. Terrific. But those tiny feet sometimes are not strong enough. Work on that. Good luck to you both. I thought it was a wonderful routine.”
To vote for Janette and Brandon: 1-888-83676-07
8. Ashley Valerio and Kuponohi’ipoi “Kupono” Aweau Jazz “Felt Mountain” –Goldfrapp
Choreographed by Wade Robson
Adam Shankman: “Your technique is exquisite. Your ability is extraordinary. You guys are gonna go far in the competition. I am totally there. Wade, you are one sick puppy.”
Mary Murphy: “I bought it 100%! You were marvelous in that number. Ashley, I couldn’t keep my eyes off of you. Really well done.”
Nigel Lythgoe: “What I think is genius about this is he(Wade) gave you both characters which you adhered to throughout. Ashley, You look beautiful in this ridiculous white make up. You look fabulous. Kupono: this wasn’t just robotic thing, this was a fluid type movement that you were being asked to do that you had to master in a very short period of time and nerves to boot. I was in a completely different world and I love being taken there and you kept me in that world which was your job. Congratulations.”
To vote for Ashley and Kupono: 1-888-83676-08
9. Melissa Sandvig and Ade Obayomi contemporary ”Right Here Waiting” – Richard Marx choreographed by Mandy Moore.
Adam Shankman: “We see a lot of good, we see a lot of great (in the show) and we see a lot of you know, eh not so good. What we get to see every once in a while, I can’t believe it I’m doing it, is special. That was so special. Melissa, I think that you are living proof that you get better with age because i bet when you were 21, you weren’t dancing like this. (Melissa is the oldest in the competiton at 29). Ade, your power is so profound and more profound because it is quiet. It is extraordinary. You guys really moved me… that was big”
Mary Murphy: and Mary gives out the biggest scream of the night!!! “Oh my gad. it was totally believable. just from the very beginning, Ade when you ran your hand up the side of her, I was like oh my goodness, everything was just flowing amazingly. The lines, the lifts were beautiful. The movement, the quality. That’s what it is, the training. You can’t deny training and Melissa, you are spectacular. And Ade, wow, I called you a superstar and you know what you are living up to my expectations. you are a gentle giant- yes you are! Quiet, powerful, you got it all! Got my eyes on you…”
Nigel Lythgoe: “Melissa, it’s absolutely beautiful to have a ballerina in our program. I’m so delighted that you made it through. Ade, I don’t think everyone has seen how good you really are yet. This was a beautiful routine. America has got so much to look forward to with you two. Well done tonight.
To vote for Melissa and Ade: 1-888-83676-09
10. Kayla Radomski and Maksim “Max” Kapitannikov samba “Jum Buh Day” choreographed by Louis van Amstel.
Adam Shankman: “That was soooo goood, oh my gad….! Max, you must be the luckiest man alive. for two reasons a, you got ballroom first b. you got a person who makes me know there is a God because only God could have created this girl in front of me. Are you kidding me?! Kayla, you’ve never done ballroom before. It’s like you were born in a ballroom babe. Max, I’m psyche for you. I’m throwing it over to you, she could have never looked that good without you. That’s absolutely true.”
Mary Murphy: “I hear a train, I can hear it…” (Brace for the Hot Tamale Train of the night! Nigel prepares by putting in a headset between his ears and Adam justthrowing his hands up in the air while Mary stand up and gives the loudest scream)…. You are in the Hot Tamale Train…Holy Smokes!”
Nigel Lythgoe: “That was truly sensational routine. That had everything that we could ever wish for. Kayla, your name is always at the top of the list every single time. You are just one of those dancers that appears to be able to do everything. Max, even thought this is your genre- you could have easily been lost. You were also terrific…. You have topped an absolutely brilliant night tonight. Thank you so very much.”
To vote for Kayla and Max: 1-888-83676-10
– o –
The best performers not in order are: jeanine and philip, randi and evan, caitlin and jason, ashley and kupono, melissa and ade, kayla and max.
Those who may be in trouble: paris and tony, asuka and vitolio, karla and jonathan
Did hip hop for the first time in Vegas: “I had my whole outfit, you know? Without it… it was not going to work! I had these red hot pants which you could see from a mile away. Then I had this cap, right? I never wear hats but I was like, okay, I’ll wear like a cap. And, you know, one of those tight shirts that show off my muscles… Lil’ C loved it. He was like, oh you do hip hop. I was like, no I just look like that!” by Korbi Ghosh, Zap2it.com
How old were you when you started dancing?
Ballet, Russian Folk Dancing from the age of 5. Ballroom Dance for 14 years.
Do you have any formal dance training?
Kapitannikov has been dancing for as long as he can remember. He comes from a dancing family, and his mother is a ballet teacher. He also enjoys sculpting and playing the guitar. He attended the Manhattan Comprehensive High School. (FOX)