SYTYCD Top 4 Jeanine Mason and Evan Kasprzak in a Sonya Tayeh Jazz “Heartbreaker”

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Jeanine Mason and Evan Kasprzak, Jazz “Heartbreaker”—MSTRKRFT featuring John Legend | Choreography by Sonya Tayeh

Superheroes–Storm, Wonder Woman and Buttercup on So You Think You Can Dance. Top 3 girls perform!

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Group dance Top 3 girls perform: “Kick It (Stereoheroes Remix)”—Nina Martine (Contemporary’ Choreographer: Sonya Tayeh)

7/14 SYTYCD 5 Ten for Ten (almost) for the Top 10 Performances

Tonight breaks the mold because the dancers must all change partners after dancing with their prior partner for weeks. Partnering is a very difficult aspect of dance. Sometimes there is chemistry, sometimes there is beauty and sometimes there is just discomfort. It is conveyed by the dancers if the match is not right and it cannot be hidden.

But as time progresses, as they spend weeks together, a chemistry evolves as the dancers learn each others personality and movements. Their strengths and weaknesses. Their rise and fall.

And then, suddenly, just as the dancers get in a rhythm, they are split apart and thrown at new partners. This is kind of odd in another way, because it does not favor the dancers that lost partners like in prior weeks. A dancer that lost a partner was at a significant disadvantage while the rest of the dancers maintained their partnerships, but tonight, they all were broken.

Other than having to dance with new partners, the solos really come onto play now because every dancer has to suddenly do a solo that can impact America’s vote. And this is even more important because the judges can no longer save a dancer. It is down to America to vote. Whomever gets the lowest votes on the male and female side go home, no excuses, no whining, no second chances.

So, tonight, we have to do things a bit differently. We have to rank each dancer and how well they did in their pairing and solo. We have found in the past the solo weights much more lightly than the pairing because the pairing tends to be more memorable, but it can be a differentiator in a close race.

Before we start, we want to say that all these dancers are fantastic. We love them all and we do not think any should be eliminated. They should all win. Which is what is great about this show, because all these dancers did win. They will all be on the tour, and they will all have the chance to be professionals with exposure beyond most dancer’s dreams.

Let’s start… we shall go in order of the voting numbers.

1. Brandon – Brandon drew Melissa as a partner. She is the most graceful and composed dancer in this competition, so she helped him. They did a contemporary piece to “Aquarius” from the play “Hair”. The piece was the best of the night by any couple. Brandon was strong as ever, leaping with aplomb and yet remaining in character throughout. Brandon win this night among the men, but his masculinity is sometimes just not evident and, in dance, it is required, so we can only give him. Brandon’s solo was too frantic and did not help him. He needs to realize that less is more and timing the music is more important than squeezing in the most moves. (9/10).

2. Randi – Randi drew Kupono, and this was difficult, because he is the tallest man and she is not tall at all. The dance is also a dance meant for a matched pair, the Paso Doble and this couple was not well matched. We felt Randi did a commendable job, but she lost a major feature that has been an advantage in past weeks. Randi is by far the cutest look on the dance floor. She has that truly innocent girlish quality. And this week, she wore a dark wig that hid her personality in an attempt to make her sexy. It may have helped the overall dance, but it did nothing for her personally. She danced the better of the pair and we think America has a major thing for her, but that wig puts her in danger. Her solo was not strong either. It seemed, not frantic, but at times strained. We felt some of the moves were accidents as a result of a slip or stumble and we couldn’t say it was memorable. (8/10)

3. Kupono – Kupono drew Randi, and it was not a successful pairing. There was little chemistry and Kupono was weak in the dance. We have to say, though, we give him credit considering this is a new partner and this was, by far, the hardest dance of the night. But Kupono does not have strength. He studied under Mark from last season, but Mark had this ability to portray a dark personality and an evil strength. Kupono just can’t do it. This dance was not good. Kupono’s solo was quirky and creative as usual and it was among his best. But it can’t save him on that dance. Oh my. (8/10)

brandon_melissa4. Melissa – Melissa drew Brandon and that is a great pairing. They did a contemporary piece to “Aquarius” from the play “Hair” and nailed every move. WE have to give Melissa the nod in this performance, but overall, both were fantastic. Melissa took her time in the solo, she was not frantic like so many others. We felt she could have taken some more risks, but we liked it. Still, there is something unappealing about her, which gets her a demerit. (8/10)

5. Evan – Evan was both lucky and unlucky in the partnering tonight. He drew Kayla, who is the tallest woman in the competition. She brings so much grace to the dance, but she also poses a problem for the shortest man in the competition. They did a Viennese Waltz, which is also trouble because this type of ballroom dance plays to the man’s dominance. The dance looked more like a regular waltz, but was still quite lovely. Evan wore heels to compensate and Kayla wore slippers with no heels. This helped balance them. Evan, we feel, did an amazing job.

There were some criticisms by Nigel, but they were misplaced. What was especially evident was how amazingly well Evan did the lifts. He is much stronger than people thought, as is often the case with compact men. His lifts were smooth and effortless and it made each of them memorable. Evan’s solo did something that only could be done by Evan. It was totally memorable, bringing out the Fred Astaire in the show and yet also proving he is no slouch as he flipped effortlessly near the end. It was the best solo of the night. (9/10)

Top 10 Solo introduction and dance recap

6. Kayla – Kayla is so incredibly graceful. Her points on her dance with Evan were incredible. Every move was graceful, but her dress was too ruffled and distracting. We cannot discredit her for wardrobe although the audience may without realizing why. Kayla’s solo was better timed than many of the women, and she can flip over upside down with both feet almost touching the floor at the same time while her head faces the floor. We have no idea how that is humanly possible. The dictionary shall have to be reprinted to place a picture of Kayla next to the word “flexible”. Kayla is just too diverse and too good to go home yet. (9/10)

7. Ade – Ade partnered with Janette. Now, this was an interesting hip hop piece in which Ade hypnotizes his partner into total funk. He did a commendable job and his strength and rhythm helped him in his performance. His solo, however, was not a help. Not because he didn’t have spectacular moves, but as is the case for so many dancers, he tried to do too much, looking frantic in the process rather than graceful. His acrobatics are undoubtedly the strongest of the dancers, but this is not a gymnastics contest. Still…(9/10)

8. Jeanine – Jeanine drew Jason, which is a good match of styles, height and talent. Jeanine had suffered with Philip, who was clearly inferior, and yet came through every week. Still, that could have been an advantage, consistently making her look superb in comparison. Jeanine is by far the prettiest girl here and it shows. Yet, she has the same cute personality that graces Randi. Her grace is unsurpassed, even by Kayla, who does, admittedly have better lines. Jeanine nailed this contemporary piece and is near the top this week. Her solo was flawless and well timed. She doesn’t do flips and gymnastics, it is just pure dance, and it is beautiful. (9/10)

9. Jason – Jason danced very well with Jeanine. and was on par for one of the best performances of the night, but we feel she outperformed him. The choreography was done by one of the best dancers the show has seen, Travis, who only lost to Benjie in season two on a personality vote. He introduced some incredibly difficult moves and Jason, while executing many of them, did not have Travis’s extension. Still, this was his first attempt at these moves, and Travis is a very tough act to follow. WE are torn on Jason. What can we do? Jason’s solo was cute and performed to character in what could be characterized as his best solo. It wasn’t as acrobatic as many, but it played to his strength and looked like a true performance, not some frantic attempt to get in more moves than the other guy. (9/10)

10. Janette – Janette and Ade did a great hip hop piece, but in our opinion, Janette stole the piece and she is anthing but hip hop. She is not the prettiest dancer in this competition, but she has the best legs and is the sexiest. That does draw attention to her when she dances. She also introduces a massive amount of expression and personality into her dance that makes you believe her. Now, the solo, well, that would of course be a problem right? Janette is all ballroom and a partner dancer. So, how do you pull off a solo with limited contemporary training? Well, Janette has the main component of a ballroom dancer doing a solo. She is sexy. And it shows and it makes her solo memorable where other ballroom dancers would fall. We are certain she can dance pretty much anything except extreme forms of contemporary. Her personality is top notch. (9/10)

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So, where does that leave us? Shoot, it is easier to pick the best than the worst again this week. Sigh, it is so difficult to say who should go home, especially considering the luck of the draw can play such a major part in the result. Partnering with a new partner can’t always work, and it that dance doesn’t work, history has shown the solo can’t save you. Remember, this week, they are all ranked separately and the girl and guy with the least votes will go home regardless of whether they partnered or not. And the judges can only weigh in with their opinions, not votes this week.

Our bottom three men…

Kupono, Evan and Jason. How could this be? Look at our scores. These guys are fantastic. Kupono was here because of the dance he was condemned to dance, the Paso Doble. He was not believable. Evan is not as strong a dancer, but has massive personality. We think America will not vote him out, but we can’t place him in the top 2. And Jason, we felt, was not as strong as Ade or Brandon. So, who is at the very bottom? Our guess is Kupono, but this is a tight one.

Our bottom three women…

Randi, Melissa and Janette. Now this is tougher than the men to call. Randi, we believe, sacrificed her own votes for the dance. Wearing the wig hid who she was and America is voting for that all American look. She lost that this week. Melissa just doesn’t have the cute factor. She is graceful, but butch, and it doesn’t play well as we watch her perform. She looks like she is putting in a major effort to be female despite her grace. Janette is fantastic, but we have to give Kayla and Jeanine the night, so someone had to be in the bottom three.

OK, now our absolute bottom this week is Randi. We think the wig, as well as the dance style, blew her chance. And we also believe America had a love affair with Randi and Evan as a couple, and that was busted this week. We think Randi is at major risk. Melissa is also at risk, primarily because of the persona she conveys, and the fact that no one would vote for her above Kayla or Jeanine. If Janette goes home, it is because of the solo, which does not favor ballroom dancers. But we don’t see that weighing that much and think she is safe.

THE DANCES and the music:

The top five girls: Bollywood dance routine, Music to “Dlohna” from Pyar Ki Jeet, choreography by Nakul Dev Mahajan
The top five guys: African dance routine, Music to “Ballant Funk” by Ayanda Clark and Shawn Kelly choreography by Jeffrey Page

The couple routines were done to the following music:
Kayla Radomski and Evan Kasprzak Viennese Waltz, “Kiss from a Rose” —Seal choreography by Tony Meredith and Melanie LaPatin
Janette Manrara and Ade Obayomi Hip-hop, “Love Sex Magic” —Ciara featuring Justin Timberlake choreography by Tabitha D’umo and Napoleon D’umo
Jeanine Mason and Jason Glover Contemporary, “If It Kills Me”  (The Casa Nova Sessions)—Jason Mraz choreography by Travis Wall
Randi Evans and Kupono Aweau Paso Doble, “Dies Irae” —Karl Jenkins choreography by Tony Meredith and Melanie LaPatin
Melissa Sandvig and Brandon Bryant Broadway, “Aquarius”  from the musical “Hair” choreography by Tyce Diorio

THE SOLOS:

Brandon Bryant: “In Your Eyes” —Jeffrey Gaines
Randi Evans: “Dream” —Priscilla Ahn
Kupuno Aweau: “Marina Gasolina” —Bonde do Rolê
Melissa Sandvig: “Gabriel” —Lamb
Evan Kasprzak: “Zing! Went the Strings of My Heart” —Rufus Wainwright
Kayla Radomski: “Rock Your Soul” —Elisa
Ade Obayomi: “Unchained Melody” —The Righteous Brothers
Jeanine Mason: “Violento (Up Mix)”–Bailongo!
Jason Glover: “Train Fare Home” —Muddy Waters
Janette Manrara: “This is Miami” —Sander Kleinenberg

SYTYCD 5 Elimination Top 14 Results, Did America get it Right? Yes, they did (not)!

America’s vote nailed Phillip and Jeanine and we were only right on two couples in the bottom three. But Phillip did a great solo and did not belong here tonight after he got hip hop again last night. He should have gone last week or the week before, but this week, he didn’t belong here. The other two couples unfortunately did, but only by a hair.

Randi and Evan thankfully escaped. We love them and think the judges were totally unfair in their criticisms last night. Still, we did see them at the top of the bottom three, and they survived without having to dance for their lives.

Kupono was not so lucky. We felt that he didn’t cut it last night, while he was great other nights, but he was thrust into the bottom. And his solo was horrible. But lucky or not, he survived.

karla_vitolioSo that left Vitolio, someone we thought could make the bottom three because of a rather unmemorable performance. The judges were cruel after his solo saying that at the end of the day all he had was a great presence on stage but the performance was lacking. These judges have been calling his praises for weeks and know that is far far from the truth. He had a bad night. His solo was better than Kupono’s. There were other factors at work here. But still, we did see him in the bottom three if Randi and Evan did not get in.

For the women, the best solo by far was danced by the one woman that did not belong here. Jeanine nailed the solo and literally embarrassed the other girls. She is a stunning dancer that has carried Phillip for weeks and she deserves to be in this.

So, that left Kayla and Karla. Not much difference in the names, but there is a difference in their talent. Once again, the judges missed the mark as to why. Kayla is just better. Karla could have spun cartwheels in the stars and not won this. The judges had already made up their minds. So their comment that Karla was lacking star quality was just stupid filler. If she isn’t a star, what do you call the top 20? They are all star quality.

And so we say goodbye to Karla and Vitolio. We think that Phillip is entertaining, but doesn’t belong here on the basis of his overall talent. We do like him though and he did kill it last night. And we think Kayla had better step it up big time, because while the judges are singing her praises, we, the audience, obviously aren’t getting it and she keeps getting the honor of doing survival solos.

Elimination recap from the judges and comments from Karla and Vitolio

Kayla Radomski and Kupono Aweau take on Contemporary Choreography by Sonya Tayeh

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Kayla and Kupono take on a Contemporary routine. Music: “Eyes On Fire”—Blue Foundation. Choreography by: Sonya Tayeh

7/1 SYTYCD 5 Perfromance Night: Only 14 Dancers Remain… Awww NUTS!

How does one judge a bag of nuts. Well, the judges were nuts, but that is not what we mean. You are given a basket of the best and freshest nuts. Walnuts, almonds, filberts, macadamia, cashews and pecans. Then you are asked to pick your least favorite. What would happen?

We know our choices. We would pick almonds and have a tough time between macadamia and filberts. But others that crave the walnut would beg to differ. And those that have that passion for the cashew, no other nut will do, of course we have to be wrong. And anyone knows that the macadamia is the most royal, creamy and perfect nut of all. But the champion of nuts that spans the entire spectrum of nut lovers because everyone loves it is the almond.

So what would you choose? It all comes down to taste. It all comes down a number of factors that are not exactly intuitive on the surface, but that make sense as you drive deeper into the selections. So, as we snack on peanuts, we shall judge the rest of the nuts.

First, let’s begin by saying we believe this show is a bit of a hoax. No, the dancing is fantastic and the judging real, but if anyone believes the judges are spontaneous, they are wrong. The judges are rehearsed. And the part that bothers us about this is the judges had to have their minds made up before the performance, which is kind of disgusting. There is no shock, no stammer, no loss for words. It is all staged and as choreographed as the dancers which is disappointing. The judges are great at what they do, but they are poor actors.

Tonight was a night when we saw every couple hit their number.  Normally, we judge from the bottom up on this show (no we are not referring to the spectacular performance last week by Evan and Randi), but this week, we had to judge from the top down.  Every performance was so well done that we were taken aback.  Not one dancer flinched.  None flubbed.  There was no chance for anyone to lose, but someone has to.

That said, the dancers were given their time to perform in their niches tonight.  It was no coincidence.  This was no luck of the draw or you have to believe that you can actually beat the casino at roulette.

Well, does it come down then to the wheel, the dice or the machine?  If the player isn’t winning, could it be the instrument?  In this case, the instruments are the choreographers.  And the choreographers on this show are so tremendous that it would be hard to judge them.  But a new choreographer, not quite as well understood and not as adept at training dancers that must perform in this level of competition often do have weaknesses, and the dancers can pay for them.

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To the dancers: (Solo introduction and dance recap at the bottom of this post)

1. Janette and Brandon – Cha-Cha-Cha “Hush Hush”—The Pussycat Dolls, Choreography by Jean-Marc Généreux

There is often a really subtle standout in the show that comes out as the show progresses.  In this show, it is Janette.  She is spectacular.  Her legs are as fast as any dancer, and when you compare her to so many others on this show that had fast legs, that is a tremendous achievement.  She is mesmerizing to watch.  Brandon is a wonderful dancer, but is too effeminate.  We hope he shakes that because he is truly talented.  Even with his weakness, though, this dance was amazing.  (10/10)

2. Kayla and Kupono – Contemporary “Eyes On Fire”—Blue Foundation Choreography by Sonya Tayeh

You know, we thought this was an absolutely great set.  We love dark theme performances and this was no exception.  Kayla, as usual, had awesome lines, but we didn’t see her being as much of a standout as in prior weeks.  Kupono was great here as well, but we didn’t find the performance particularly memorable.  The judges loved it, but it just wasn’t overall as good as they made it out to be and yet (9/10)

3. Randi and Evan – Broadway “Rich Man’s Frug” from Sweet Charity Choreography by Joey Dowling

Now, sometimes, someone just has to get art.  You can look at a masterpiece and stare at it for hours and have no idea what makes it great.  This performance had a twist of the odd in it.  The most important part of the dance, independently of making every step perfectly, was the character acting.  Evan pulled it off with amazing accuracy.  His acting persona was spectacular.  Randi was not quite as good this week as last, but that is like saying she was only genius.  These two were once again fantastic.  The judges had to find someone to criticize after praising the first two dances, but this dance was every bit as good. (9/10)

4. Caitlin and Jason – Pop-Jazz “Creator”—Santigold Choreography by Brian Friedman

There are times that being the oddest person in the group makes you stand out in a positive way.  In other cases, no matter how wonderfully odd you are, you are just odd.  We blame the choreographers for the fact we did not like this dance as much as the others.  The judges could not place their fingers on it and blamed Caitlin’s distracting outfit, but she was supposed to be an alien for heaven’s sake, and it is not like the dancer’s pick their outfits.  Stupid for the judges to mention it.  But the quirkiness of the dance did not take away from Caitlin and Jason’s talent.  They performed amazingly well. (9/10)

5. Jeanine and Phillip – Hip-hop “Love Lockdown”—Kanye West Choreography by Tabitha D’umo
Napoleon D’umo

OK, now let’s give Phillip a chance here.  Give him what he does best so we can show why he belongs here.  Fine, we get it.  But so many other dancers have had to dance out of their element every week and as Phillip got in trouble two weeks running with that, they brought him back with this performance. OK, Phillip is amazing at this style and Jeanine can do anything, so we cannot take anything away from this performance.  It was a delight to watch, the choreography was amazing and the dancers on mark throughout.  So, what didn’t we like?  We feel the show is giving Phillip a strong amount of favoritism because of his entertainment factor within his niche.  The show may be right, we enjoyed watching this performance enormously.  And we believe Jeanine is as good as any woman here. (10/10)

6. Melissa and Ade – Classical Pas de deux Romeo & Juliet: Provofiev’s Suite (No.1 Op 64b, 6th Movement)—Orchestre De La Suisse Romande & Armin Jordan Choreography by Thordal Christensen

This was perfect for Melissa to show her lines and specialty.  Finally, she was given an opportunity to perform like the ballet artist she truly is.  There was no doubt throughout who we were watching.  Melissa floated through the air, pointed like the most talented ballerina and made the Nutcracker look like a show for amateurs.  This was her best performance.  Ade, on the other hand, was out of his element.  The judges praised him, but to us, Melissa outclassed him so greatly that it made him look silly at times.  Melissa was so graceful and perfect though that she totally disguised any lack of grace by Ade.  In a lift that took us to a world of enchantment, Melissa arched her body and bent her legs so gracefully that it looked for sure like she could fly.  During the lift, Ade was merely her support and little else, but no one was looking at Ade.  In another move, it was grace by Melissa that made her look like she was literally flying across the stage like a real life tinker bell, and once again Ade was merely a prop.  So, how do we judge this? (10/10)

7. Karla and Vitolio- Quickstep “Puttin’ on the Ritz”—Rufus Wainwright, Choreography by Jean-Marc Généreux

Ah, if only Vitolio could work that goofy smile into something a bit more serious. His smile tends to make us want to laugh when we see it. But he can dance. Karla needed a great performance tonight to pull out of the bottom three. This is a new couple, and that brings some very interesting and difficult challenges. In this performance, Karla pulled out all the stops and performed the best we have seen her. Vitolio was great, but somehow detached. The chemistry was not there for us. But it was still a performance one should not miss. (9/10)

Top 14 Solo Introduction plus Dance Recap

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OK, now if we were judging, what do we do now?  We have just said everyone is amazing and yet we have to have a bottom 3.  Usually, in a given week, we see a blunder that stands out to us.  But none stood out in any way this week in a negative fashion performance wise.  So, now it comes down to taste.

We don’t like walnuts.  Caitlin and Jason were our walnuts.  We see them in the bottom three because we believe they will not make the final snack bowl.  The choreography was too odd, and even their great talent could not bring it out in as positive a way as the rest of the group.

We love macadamia nuts.  They are delightful and we know they could never be in the bottom three.  Jeanette and Brandon were our macadamias.  They were the number one or number two couple.  No question.

Now, normally, we don’t care much for cashews.  They are mealy at times and often much sweeter than we like a nut to be.  But every once in a while, you get a perfect cashew.  Jeanine and Phillip were out perfect cashews.  If they are in the bottom three it is only because someone had to be.

Filberts are always a surprise the first time.  They have a hard outer shell and look much like an acorn.  Seems like food for squirrels, not for humans.  But then you taste one, and you realize that they are among the best of nuts. Well, this is how we would classify Melissa but not Ade.  Still, as a team, they were what makes a cashew lover remember why they crave them.  No bottom three here.

Shoot, now we only have one bottom couple.  What do we do?  We have no choice but to place Kayla and Kupono and Randi and Evan in our bottom three.  Not because they were not spectacular, just that they were a hair behind in a photo finish.

We still believe that in the long run, Phillip cannot win and has no diversity.  We don’t believe he has any chance here, so the judges should make way for the more diverse and stop pandering to him.  That said, he nailed his specialty so amazingly well this week that he cannot go home.  That places Randi and Evan in our bottom three.  And we love Evan.  They were our almonds.  The standby you love every time you have them.  And yet, could you give them up for a great cashew?  We think it more likely, though, we will be sending home the walnuts.  But we can still use them in cookies that no one eats.

Hedging our bets on our bottom three though, we have to turn to the set that was least memorable even if well performed. This also places Karla and Vitolio square in the cross hairs. Anyone other than these four possibilities in the bottom three would be a mistake. But who knows what America will do with ballet? How cultured are we after all?

The solos will tell all.  But our bottom three are:

1. Caitlin and Jason
2. Randi and Evan
3. Kayla and Kupono
4. Karla and Vitolio

6/17 SYTYCD 5 Top 18 Performance Night, Where was the ‘Fun’?

Sometimes, the sophomore performance is just plain lacking. Such was this week. It is not that the dancers weren’t great, but last week, the opening of the 20 top dancers competition, was incredible. The creativity and the style, both on the part of the choreographers and dancers was phenomenal. We have watched that show no less than five times this past week because it was spectacular.

So we entered into tonight thinking, these people are going to step it up even further. We were wrong. The show stumbled. The dances weren’t as good nor as sharp. Many otherwise excellent dancers did not show up when it counted. And in general, the choreographers were rather dull, save for a couple of dances. When Disco is the best dance of the night…you have a problem.

1. Randi Evans and Evan Kasprzak Jive, “Shake A Tail Feather”—Ray Charles

Choreographed by Louis van Amstel

The choreographer forgot how important leg movement is in this dance. Watch a Benji jive, for example, and the legs are living and kicking the entire time. There was very little of that in this dance, which left us wondering if we were watching the jive at all. These guys didn’t bring it and also went first, but we blame the choreographer, at least in part, for designing a dance that didn’t feel much like the style it was intended to be. Randi showed little unique personality, but has good technique and is a peppy dancer. Evan, well, for some reason, this wasn’t his night. Seems like there was enough blame to go around for everyone. (6/10)

2. Melissa Sandvig and Ade Obayomi Jazz, “24 Hours” (The Aston Shuffle A-Bomb Remix) —Terry Poison

Choreographed by Sonya Tayeh

The music on this song was horrible. It made absolutely no connection for us, and we feel as though the dancers started off with little connection to it as well. But Melissa and Ade brought it after a bit of a slow start. Their movements were unique and strong. Ade is physically incredible, which lends itself well to this kind of dance, where expression is so very important. Melissa was on target and in sync. We loved the performance. (8/10)

3. Caitlin Kinney and Jason Glover Hip-hop, “Missin’ You” —Trey Songz

Choreographed by Shane Sparks

There are times you just can see the pain in a dance, and it isn’t the intended pain of the choreographer. While they were smiling, the dancers were struggling throughout. Jason was able to hit the moves stronger and with more feeling. Caitlin had no feel for it at all, making Hip Hop look more like Contemporary. They danced great, but forgot to do Hip Hop. (6/10)

4. Janette Manrara and Brandon Bryant Disco, “Loving Is Really My Game”—Brainstorm

Choreographed by Doriana Sanchez

This was probably the best dance of the night. The tempo was incredibly fast, which brought an energy to the performance that has been lacking in prior disco sets. Despite a minor stumble, Janette was incredible, performing a V Split that hurt us to watch. Brandon, well, there is nothing he can’t do. Amazing performance for both of them and the best of the night. (9.5/10)

Top 18 Solo Introduction and Dance Recap

5. Asuka Kondoh and Vitolio Jeune Waltz, “Dreams Are More Precious” —Enya

Choreographed by Louis van Amstel

The waltz is a very difficult dance to pick up if you are not graced with training. Neither dancer is truly the type we would expect to be a champion Waltz dancer. Asuka, however, is graceful, and she did not want to be in the bottom three this week, and it showed. She was elegant throughout, smooth in every move even when her partner was less so, and dressed in stunning fashion. She was flawless in this dance which helped Vitolio. Vitolio was strong and on tempo. He was able to pull off every necessary lifts. But his leg movements were anything but the Waltz. He brings down the couple’s score, but Asuka was a 9. (8/10)

6. Kayla Radomski and Max Kapitannikov Pop-Jazz, “Hot Like Wow” —Nadia Oh

Choreographed by Brian Friedman

We think the judges on this show really underestimate Max’s talent. He is an incredibly strong dancer and, more importantly, in this phase of the competition, an amazing partner. Kayla is spectacular, but Max makes her even more special. This team pulled off an amazing dance that was so close to Janette and Brandon that we have to give them the same score. But Janette and Brandon won by a hair. (9.25/10)

7. Karla Garcia and Jonathan Platero Contemporary, “Falling Slowly” —The Frames (Original The Frames Music Video )

Choreographed by Stacey Tookey

Jonathan is not a contemporary dancer, but he nailed this performance. Karla was phenomenal. We weren’t crazy overall about the choreography. They weren’t the best of the night, but Jonathan proved to us that he is a serious contender. Karla always was. We also place them at the top of the night, losing slightly to Janette and Brandon. (9/10)

8. Jeanine Mason and Phillip Chbeeb Tango, “Violento (Up Mix)”–Bailongo!

Choreographed by Tony Meredith

If you cannot swim, you tend not to jump into the deep end of the pool. This show tends to throw dancers into the deep end even when they cannot swim. And Phillip could not swim. He is brilliant at what he does, but his attempt tonight was rather pathetic. It reminded us of Dancing With The Stars, with Jeanine as the Pro and Phillip as a wanna be star hoping to not be embarrassed. The result makes Jeanine even more phenomenal to us. Despite Phillip being awkward and plodding, she made every move gracefully and professionally. She gets a 9. Phillip a 4. Total score? Who knows, but we figure a (7/10).

9. Ashley Valerio and Kupono Aweau Hip-hop, “Imma Be” —The Black Eyed Peas

Choreographed by Shane Sparks

Now, when you get to go last, you have a chance to really nail the routine and get the most votes because the audience will remember you best. Ashley and Kupono stepped out and embarrassed themselves. There was no style to their dance. It hit about as hard as a helium balloon. And the moves were as crisp as over cooked spaghetti. Nothing about this performance did anything for us. In the other dancers, one dancer was significantly better than the other. In this dance, neither did it for us. (6/10)

Overall, tonight was a disappointment with only three great dances. Last week we are keeping in our DVR and will watch again and again. This week gets erased permanently.

Out of it all though emerges the bottom three. And it is pretty obvious who they are. Ashley and Kupono, Randi and Evan, & finally Caitlin and Jason were our bottom three. Much disappointment after being so stellar last week. Any one could go, but we think Ashley and Kupono were the flattest of the three couples. Randi was not incredible. But Caitlin and Jason were a huge disappointment because we expected more of Caitlin than this. So tough to call the actual bottom, and it will come down the solos. We think that Ashley and Kupono should depart as a couple, but it is so close at the bottom this week, that it just plain doesn’t matter which of the three goes. Problem is, in this show, one bad week and you could be gone, but next week could be your best of the season. It is just not possible to know.

We can narrow it down though and it was much easier to pick out the potential losers this week. Then again, America often mislead us with their votes that totally render a surprising bottom three. We’ll see.

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